Pablo Gómez-Pando
Actor · Spain
Pablo Gómez-Pando was born in 1983 in Spain. He is an actor, known for The New Years (2024), Ama (2021) and Adiós (2019).
Biography from IMDb.
- Spain
- Actor
- 5 on MovieCove
What are Pablo Gómez-Pando's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 1 · Intense 2
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0
Roles they play
- Allyas Guille in The New Years (2024)
Moods and endings
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pablo Gómez-Pando's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Pablo Gómez-Pando's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
La Luz(2026)
Midcredits score: 88th percentile of all films
The New Years(2024)
Midcredits score: 93rd percentile of all shows
The Invisible Girl(2023)
Midcredits score: 6th percentile of all shows
Ama(2021)
Midcredits score: 43rd percentile of all films
Morir(2017)
Midcredits score: 60th percentile of all films
Career shape
Across their 5 MovieCove titles from 2017 to 2026.
How do Pablo Gómez-Pando's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 5 titles are Mixed.
- Crowd Pleaser2
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pablo Gómez-Pando work with?
People who share at least 2 of Pablo Gómez-Pando's MovieCove titles, grouped by what they did on them; Fernando Franco shares the most, 2.
Directors
- Fernando FrancoShared titles: La Luz (2026), Morir (2017)See all 2 shared titles with Fernando Franco
Actors
- Francesco CarrilShared titles: The New Years (2024), Morir (2017)See all 2 shared titles with Francesco Carril
Composers, cinematographers and editors
- Maite ArroitajauregiShared titles: La Luz (2026), Morir (2017)See all 2 shared titles with Maite Arroitajauregi
- Miguel DobladoShared titles: La Luz (2026), Morir (2017)See all 2 shared titles with Miguel Doblado
- Santiago RacajShared titles: La Luz (2026), Morir (2017)See all 2 shared titles with Santiago Racaj
