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Byron Jones

Producer and writer

Works as
Producer and writer
Titles
12 on MovieCove
TMDB popularity, last 38 days to Oct 27Down 2% in 30 days

What are Byron Jones' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Society.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 12 · Stylized 0 · Heightened 0

Gentle 5 · Charged 6 · Intense 1

Steady 9 · Shifting 3 · Whiplash 0

Straight-faced 10 · Some laughs 2 · Funny 0

Slow burn 11 · Even-paced 1 · Relentless 0

Casual 10 · Engaged 2 · Full focus 0

Resolved 11 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
8
Tense
6
Contemplative
6
Warm
4
Melancholic
5
Other
2

How their films end · 1 with a twist

  • Happy6
  • Bittersweet6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Byron Jones' films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Byron Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • A Long Way Off(2014)

    Producer

    Midcredits score: 27th percentile of all films
  • Unwanted Presence(2014)

    Producer

    Midcredits score: 1st percentile of all films
  • Destiny Road(2012)

    Producer

    Midcredits score: 67th percentile of all films
  • Johnny(2010)

    Producer

    Midcredits score: 68th percentile of all films
  • The Encounter(2010)

    Co-Producer

    Midcredits score: 74th percentile of all films
  • What If...(2010)

    Producer

    Midcredits score: 64th percentile of all films
  • In the Blink of an Eye(2009)

    Producer · Writer · as Police Detective Roberts

    Midcredits score: 26th percentile of all films
  • Sarah's Choice(2009)

    Producer

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 40th percentile of all films
  • The Wager(2007)

    Producer

    Midcredits score: 27th percentile of all films
  • Hidden Secrets(2006)

    Producer

    Midcredits score: 37th percentile of all films
  • Home Beyond the Sun(2004)

    Producer

    Midcredits score: 73rd percentile of all films (provisional, few ratings)

Career shape

A full career of 4 titles from 2004 to 2010.

By role

only this rolewith another role
Acting1 of 4: 0 only acting, 1 with another roleWriting1 of 4: 0 only writing, 1 with another roleProducing4 of 4: 3 only producing, 1 with another role

By decade

2000s2 · 1 acting · 2 crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Byron Jones' films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 12

Approval · how many liked their films

46thpercentile
Typical film, the median of 12

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 50th to 74th5
  • 25th to 49th6
  • Below 25th1

Reviewers score the dialogue 34/100 and the plot and story 37/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Byron Jones work with?

People who share at least 2 of Byron Jones' MovieCove titles, grouped by what they did on them; David A.R. White shares the most, 7.

Writers

Actors

Composers, cinematographers and editors

Producers