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Joi McMillon

Joi McMillon

Editor

Oscar nominee · 2 other major award bodies

Joi McMillon is an American film editor. In 2003, she graduated from Florida State University College of Motion Picture Arts. McMillon is known for her work on the Academy Award-winning films Moonlight (2016) and If Beale Street Could Talk (2018), both winning several respective accolades. Description above from the Wikipedia article Joi McMillon, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Editor
Titles
10 on MovieCove · 16 credits in all
TMDB popularity, last 157 days to Oct 28Down 19% in 30 days

What are Joi McMillon's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
43%
Self
17%
Survival
13%
Power
13%
Morality
10%
Society
4%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 3

A split, not a type: Grounded 1 · Stylized 2 · Heightened 3

Gentle 0 · Charged 5 · Intense 1

Steady 2 · Shifting 3 · Whiplash 1

Straight-faced 3 · Some laughs 3 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 2 · Heavy 4

A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
3
Hopeful
3
Absurd
2
Contemplative
1
Other
1

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joi McMillon's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Joi McMillon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 10 with a MovieCove page.

  • Midcredits score: 66th percentile of all films
  • Zola(2020)

    Editor

    Midcredits score: 64th percentile of all films
  • Midcredits score: 86th percentile of all films
  • American Woman(2018)

    Editor

    Midcredits score: 76th percentile of all films
  • Lemon(2017)

    Editor

    Midcredits score: 14th percentile of all films
  • Moonlight(2016)

    Editor

    Midcredits score: 92nd percentile of all films
  • Man Rots from the Head (not in the MovieCove catalog yet)(2016)

    Editor

  • Sausage Party(2016)

    Assistant Editor · Thanks

    Midcredits score: 38th percentile of all films
  • Wyatt Cenac: Brooklyn (not in the MovieCove catalog yet)(2014)

    Assistant Editor

  • Girls(2012)

    Show 1 episode · Editor

    Midcredits score: 57th percentile of all shows
  • Chlorophyl (not in the MovieCove catalog yet)(2011)

    Editor

  • Midcredits score: 64th percentile of all films
  • Not Easily Broken(2009)

    First Assistant Editor

    Midcredits score: 48th percentile of all films
  • Little Brown Boy (not in the MovieCove catalog yet)(2003)

    Production Design

  • My Josephine (not in the MovieCove catalog yet)(2003)

    Production Design

  • In Process (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 16 titles, 15 of them dated from 2003 to 2024.

By role

only this rolewith another role
Editing10 of 16: 10 only editing, 0 with another role · typical Midcredits score66thOther crew6 of 16: 6 only other crew, 0 with another role

By decade

2000s4 · crew2010s9 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major awards from 4 major nominations, 2016–2022.

WinNomination
  1. 2022
    • Independent Spirit Award, won · Best Editing
  2. 2017
    • Oscar, nominated · Best Achievement in Film Editing
    • +1 other major body · 1 win
      • Independent Spirit Award, won · Best Editing
  3. 2016
    • Critics Choice Award, nominated · Best Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Joi McMillon's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 6

Approval · how many liked their films

71stpercentile
Typical film, the median of 6

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 6

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th1

Reviewers score the pacing 43/100 in their films, across 6 reviewed titles; fans 55, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Joi McMillon's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles32–60 · median 44 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity5 titles14–65 · median 56 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles31–85 · median 72 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 44 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 56 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Joi McMillon work with?

People who share at least 2 of Joi McMillon's MovieCove titles, grouped by what they did on them; Barry Jenkins shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers