- Producer and writer, also director
- 10 on MovieCove · 11 credits in all
Known for
What are Marcella Steingart's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 5 · Serious 1 · Dark 0
Grounded 6 · Stylized 0 · Heightened 0
Gentle 5 · Charged 1 · Intense 0
Steady 6 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 3 · Funny 0
Slow burn 6 · Even-paced 0 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 6 · Affecting 0 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marcella Steingart's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Marcella Steingart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 10 with a MovieCove page.
Midcredits score: 89th percentile of all films
Judy Blume Forever(2023)
Midcredits score: 93rd percentile of all films
Midcredits score: 80th percentile of all films
PBS American Portrait(2021)
Midcredits score: 15th percentile of all shows (provisional, few ratings)
This Is A.I.(2018)
Midcredits score: 50th percentile of all films (provisional, few ratings)
Midcredits score: 95th percentile of all shows
Dark Net(2016)
Midcredits score: 44th percentile of all shows
Midcredits score: 83rd percentile of all films
Miley: The Movement(2013)
Midcredits score: 63rd percentile of all films
Iconoclasts(2005)
Midcredits score: 67th percentile of all showsThe Beauty Academy of Kabul (not in the MovieCove catalog yet)(2004)
Career shape
A full career of 4 titles from 2004 to 2025.
Awards
Nominated for a Primetime Emmy in 2023, Outstanding Documentary or Nonfiction Special.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Marcella Steingart's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up5
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 10 titles are Crowd Pleasers.
- Universally Loved1
- Divisive2
- Crowd Pleaser4
- Mixed3
Reviewers score the plot and story 54/100 in their films, across 4 reviewed titles; fans 62, detractors 35. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marcella Steingart work with?
People who share at least 2 of Marcella Steingart's MovieCove titles, grouped by what they did on them; Justin Wilkes shares the most, 7.
Directors
- Michael BonfiglioShared titles: Who Are You, Charlie Brown? (2021), Iconoclasts (2005)See all 2 shared titles with Michael Bonfiglio
- Paul BozymowskiShared titles: This Is A.I. (2018), Miley: The Movement (2013)See all 2 shared titles with Paul Bozymowski
- Morgan NevilleShared titles: Abstract: The Art of Design (2017), Keith Richards: Under the Influence (2015)See all 2 shared titles with Morgan Neville
Editors
- Edward A. BishopShared titles: This Is A.I. (2018), Miley: The Movement (2013)See all 2 shared titles with Edward A. Bishop
- Matthew PrinzingShared titles: This Is A.I. (2018), Abstract: The Art of Design (2017)See all 2 shared titles with Matthew Prinzing
Producers
- Justin WilkesShared titles: Barbara Walters: Tell Me Everything (2025), Judy Blume Forever (2023), Who Are You, Charlie Brown? (2021), Abstract: The Art of Design (2017), Keith Richards: Under the Influence (2015), Miley: The Movement (2013), Iconoclasts (2005)See all 7 shared titles with Justin Wilkes
- Jon KamenShared titles: PBS American Portrait (2021), This Is A.I. (2018), Abstract: The Art of Design (2017), Keith Richards: Under the Influence (2015), Miley: The Movement (2013), Iconoclasts (2005)See all 6 shared titles with Jon Kamen
- Dave SirulnickShared titles: PBS American Portrait (2021), This Is A.I. (2018), Keith Richards: Under the Influence (2015), Miley: The Movement (2013)See all 4 shared titles with Dave Sirulnick
- Brian GrazerShared titles: Barbara Walters: Tell Me Everything (2025), Judy Blume Forever (2023), Who Are You, Charlie Brown? (2021)See all 3 shared titles with Brian Grazer
