Erika Avila

What are Erika Avila's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erika Avila's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

• The Roku Channel2 titles, browse their movies on this service
  • Párpados azules (2007) · producer · free
  • The Obscure Spring (2014) · producer · free
• Pluto TV1 title, browse their movies on this service
  • I Dream in Another Language (2017) · producer · free

Subscription and free streaming for Erika Avila's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Papá o Mamá(2023)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Cosas imposibles(2021)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  I Dream in Another Language(2017)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  The Obscure Spring(2014)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  Párpados azules(2007)

  Producer

  Midcredits score: 77th percentile of all films77^th

Career shape

Across their 5 MovieCove titles from 2007 to 2023.

Biggest box office

Papá o Mamá (2023)

$2.9M worldwide

Highest rated

Cosas imposibles (2021)

Midcredits 97^th

How do Erika Avila's films land?

Their typical MovieCove film has a Midcredits score in the 77^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Universally Loved.

2111

• Universally Loved2
• Cult Classic1
• Crowd Pleaser1
• Mixed1

Most divisive · producer

Papá o Mamá (2023)

87^th percentile spread · 35% rated it 4 or lower

Most loved · producer

Cosas imposibles (2021)

Midcredits 97^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Erika Avila work with?

People who share at least 2 of Erika Avila's MovieCove titles, grouped by what they did on them; Ernesto Contreras shares the most, 5.