Therese Naustdal

What are Therese Naustdal's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Therese Naustdal's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • Diving Into the Unknown (2016) · producer · free

Subscription and free streaming for Therese Naustdal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  The Fortress(2023)

  Show Producer

  Midcredits score: 6th percentile of all shows6^th
• 

  Thomas mot Thomas (en sensasjonell teori om det ubetydelige livet i multiverset)(2022)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Diving Into the Unknown(2016)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  Rebels(2015)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  Blind(2014)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Oslo, August 31st(2011)

  Producer

  Midcredits score: 96th percentile of all films96^th

Career shape

Across their 6 MovieCove titles from 2011 to 2023.

Biggest box office

Oslo, August 31st (2011)

$1.5M worldwide

Highest rated

Oslo, August 31st (2011)

Midcredits 96^th

How do Therese Naustdal's films land?

Their typical MovieCove film has a Midcredits score in the 78^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

114

• Universally Loved1
• Universally Panned1
• Crowd Pleaser4

Most divisive · producer

The Fortress (2023)

56^th percentile spread · 27% rated it 4 or lower

Most loved · producer

Oslo, August 31st (2011)

Midcredits 96^th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Therese Naustdal work with?

People who share at least 2 of Therese Naustdal's MovieCove titles, grouped by what they did on them; Eskil Vogt shares the most, 2.