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Juan Camilo Pinzón

Juan Camilo Pinzón

Director and cinematographer · Born March 24, 1972 (54) · Bogotá, Colombia

Juan Camilo Pinzón is a Colombian film and television producer, writer and director. He is recognized for his association with producer and screenwriter Dago García. He has directed successful films at the Colombian box office such as Polvo carnavalero (2016), El coco (2016), El paseo 4 (2016) and Uno al año no hace daño (2014).

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Biography from TMDB.

Born
March 24, 1972 (54)
From
Bogotá, Colombia
Works as
Director and cinematographer
Titles
6 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Juan Camilo Pinzón's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
42%
Bonds
17%
Power
13%
Survival
10%
Society
10%
Ideas
5%
Morality
3%
Identity3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 1 · Wry 0 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 0 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 1 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 0 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 0 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
2
Absurd
2
Hopeful
2
Joyful
2
Romantic
2
Other
5

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet4
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Juan Camilo Pinzón's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Also on these channels

Subscription and free streaming for Juan Camilo Pinzón's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 6 with a MovieCove page.

  • La Vida Despues del Reality(2023)

    Show 6 episodes · Director · Cinematographer

    Midcredits score: 27th percentile of all shows (provisional, few ratings)

  • The Last Man on Earth(2022)

    Director

    Midcredits score: 10th percentile of all films

  • An Unremarkable Christmas(2020)

    Director

    Midcredits score: 4th percentile of all films

  • The Unremarkable Juanquini(2020)

    Show Director

    Midcredits score: 4th percentile of all shows

  • El Coco 3 (not in the MovieCove catalog yet)(2019)

    Director

  • Los Ajenos Fútbol Club (not in the MovieCove catalog yet)(2019)

    Director · Editor · Producer · Writer

  • El Coco 2 (not in the MovieCove catalog yet)(2017)

    Director

  • The Trip 4 (not in the MovieCove catalog yet)(2016)

    Director

  • El Coco (not in the MovieCove catalog yet)(2016)

    Director

  • Polvo Carnavalero(2016)

    Director

    Midcredits score: 56th percentile of all films (provisional, few ratings)

  • El Lamento (not in the MovieCove catalog yet)(2016)

    Director · Editor

  • Once a Year Can't Hurt 2 (not in the MovieCove catalog yet)(2015)

    Director

  • Once a Year Can't Hurt (not in the MovieCove catalog yet)(2014)

    Director

  • The Trip 3 (not in the MovieCove catalog yet)(2013)

    Director

  • La Hipocondriaca (not in the MovieCove catalog yet)(2013)

    Show 120 episodes · Director

  • La Ruta Blanca(2012)

    Show 92 episodes · Director

    Midcredits score: 69th percentile of all shows (provisional, few ratings)

  • El secretario (not in the MovieCove catalog yet)(2011)

    Show 123 episodes · Director

  • Tierra De Cantores (not in the MovieCove catalog yet)(2010)

    Show Creator

  • In fraganti (not in the MovieCove catalog yet)(2009)

    Director

  • En Los Tacones De Eva (not in the MovieCove catalog yet)(2006)

    Show 11 episodes · Director · Creator

Career shape

A full career of 19 titles from 2006 to 2023.

Most popular right now

La Ruta Blanca (2012)

By role

only this rolewith another role
Directing18 of 19: 15 only directing, 3 with another role · typical Midcredits score27thWriting1 of 19: 0 only writing, 1 with another roleProducing1 of 19: 0 only producing, 1 with another roleEditing2 of 19: 0 only editing, 2 with another roleOther crew2 of 19: 1 only other crew, 1 with another role

19 titles, 3 with more than one role — directing and editing overlap on 2 of them.

By decade

2000s2 · crew2010s14 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Juan Camilo Pinzón's films land?

Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 3

Approval · how many liked their films

1stpercentile
Typical film, the median of 3

Reach · how many have seen their films

25thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 50th to 74th2
  • 25th to 49th1
  • Below 25th3

Shape of the crowd

2 of their 6 titles are Universally Panned.

  • Universally Panned2
  • Divisive1
  • Cult Classic1
  • Mixed2

Most divisive · director, cinematographer

La Vida Despues del Reality (2023)

91st percentile spread · 26% rated it 4 or lower

Most loved · director

The Last Man on Earth (2022)

Midcredits 10th · 11% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Juan Camilo Pinzón work with?

People who share at least 2 of Juan Camilo Pinzón's MovieCove titles, grouped by what they did on them; Dago García shares the most, 5.

Writers

Actors

Cinematographers and editors

Producers