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Lillian LaSalle

Lillian LaSalle

Producer and director

TMDB popularity, last 155 days to Oct 26Down 25% in 30 days

What are Lillian LaSalle's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 3 · Dark 0

A split, not a type: Grounded 6 · Stylized 3 · Heightened 1

Gentle 6 · Charged 4 · Intense 0

Steady 9 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 5 · Funny 1

Slow burn 7 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 5 · Full focus 1

Resolved 6 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
6
Warm
4
Joyful
5
Contemplative
4
Melancholic
2
Other
6

How their films end

  • Happy4
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lillian LaSalle's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Lillian LaSalle's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Midcredits score: 62nd percentile of all films
  • Bird in Hand(2025)

    Executive Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Cologne 75(2025)

    Executive Producer

    Midcredits score: 84th percentile of all films
  • My Name Is Pedro(2017)

    Director · Producer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)
  • Today's Special(2009)

    Producer

    Midcredits score: 66th percentile of all films
  • Heavy Petting(2007)

    Co-Producer

    Midcredits score: 6th percentile of all films
  • Just Like the Son(2006)

    Executive Producer

    Midcredits score: 70th percentile of all films
  • Sweet Land(2005)

    Executive Producer

    Midcredits score: 82nd percentile of all films
  • Loggerheads(2005)

    Producer

    Midcredits score: 75th percentile of all films
  • Southern Belles(2005)

    Producer

    Midcredits score: 33rd percentile of all films

Career shape

A full career of 7 titles from 2005 to 2025.

By role

only this rolewith another role
Directing1 of 7: 0 only directing, 1 with another roleProducing7 of 7: 6 only producing, 1 with another role · typical Midcredits score70th

By decade

2000s3 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lillian LaSalle's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 10

Approval · how many liked their films

65thpercentile
Typical film, the median of 10

Reach · how many have seen their films

59thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 71/100 and the pacing 48/100 in their films, across 8 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lillian LaSalle work with?

People who share at least 2 of Lillian LaSalle's MovieCove titles, grouped by what they did on them; Gill Holland shares the most, 5.

Actors

Cinematographers

Producers