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Sarah Clara Weber

Editor, also director · Born January 1, 1977 (49)

Born
January 1, 1977 (49)
Works as
Editor, also director
Titles
5 on MovieCove · 9 credits in all
TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Sarah Clara Weber's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
35%
Self
21%
Survival
17%
Society
16%
Ideas
6%
Morality
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

A split, not a type: Grounded 2 · Stylized 1 · Heightened 2

Gentle 2 · Charged 3 · Intense 0

Steady 1 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2

Slow burn 4 · Even-paced 1 · Relentless 0

A split, not a type: Casual 2 · Engaged 3 · Full focus 0

A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
2
Absurd
2
Dread
2
Tense
2
Hopeful
2
Other
3

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sarah Clara Weber's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (3).

Subscription and free streaming for Sarah Clara Weber's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Bed Bugs (not in the MovieCove catalog yet)(2017)

    Editor

  • Midcredits score: 32nd percentile of all films (provisional, few ratings)
  • True Love Ways(2014)

    Editor

    Midcredits score: 33rd percentile of all films
  • Moon Man(2012)

    Director · Editor

    Midcredits score: 71st percentile of all films
  • Dating Lanzelot(2011)

    Editor

    Midcredits score: 5th percentile of all films
  • Black Sheep (not in the MovieCove catalog yet)(2006)

    Editor

  • Vineta (not in the MovieCove catalog yet)(2006)

    Editor

  • Midcredits score: 94th percentile of all films
  • Quiet as a Mouse (not in the MovieCove catalog yet)(2004)

    Editor

Career shape

A full career of 7 titles from 2004 to 2017.

By role

only this rolewith another role
Editing7 of 7: 7 only editing, 0 with another role

By decade

2000s4 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Sarah Clara Weber's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 5

Approval · how many liked their films

42ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

31stpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th1

Reviewers score the pacing 35/100 in their films, across 3 reviewed titles; fans 48, detractors 10. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sarah Clara Weber work with?

People who share at least 2 of Sarah Clara Weber's MovieCove titles; Beat Solèr shares the most, 2.