- Editor and writer
- 10 on MovieCove
What are Carl Cramer's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 4 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 4 · Charged 0 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 1
Casual 4 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carl Cramer's films?
As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Carl Cramer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Midcredits score: 73rd percentile of all shows (provisional, few ratings)
Boys in Blue(2023)
Midcredits score: 25th percentile of all shows
Behind the Music(2021)
Midcredits score: 43rd percentile of all shows
Relentless(2021)
Midcredits score: 48th percentile of all shows
Midcredits score: 76th percentile of all films
Midcredits score: 96th percentile of all films
Bella Vita(2013)
Midcredits score: 87th percentile of all films
Kirstie Alley's Big Life(2010)
Midcredits score: 10th percentile of all shows
One California Day(2007)
Midcredits score: 96th percentile of all films (provisional, few ratings)
Single Fin Yellow(2005)
Midcredits score: 98th percentile of all films (provisional, few ratings)
Career shape
Across their 10 MovieCove titles from 2005 to 2024.
How do Carl Cramer's films land?
Their typical MovieCove film has a Midcredits score in the 96th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 92nd percentile for acclaim.
- 75th and up5
- 50th to 74th1
- 25th to 49th3
- Below 25th1
Shape of the crowd
3 of their 10 titles are Crowd Pleasers.
- Universally Loved1
- Divisive2
- Cult Classic2
- Crowd Pleaser3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carl Cramer work with?
People who share at least 2 of Carl Cramer's MovieCove titles, grouped by what they did on them; Jason Baffa shares the most, 4.
Directors
- Jason BaffaShared titles: Loopers: The Caddie's Long Walk (2019), Bella Vita (2013), One California Day (2007), Single Fin Yellow (2005)See all 4 shared titles with Jason Baffa

Producers
- Bobbie BencioShared titles: Relentless (2021), Kirstie Alley's Big Life (2010)See all 2 shared titles with Bobbie Bencio
- George MollShared titles: Relentless (2021), Kirstie Alley's Big Life (2010)See all 2 shared titles with George Moll

- Noah MoskinShared titles: Relentless (2021), Kirstie Alley's Big Life (2010)See all 2 shared titles with Noah Moskin

