Mary Bing

What are Mary Bing's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mary Bing's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

• AMC+1 title, browse their movies on this service
  • Far From the Tree (2017) · producer

Subscription and free streaming for Mary Bing's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Far From the Tree(2017)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Voyage of Time(2016)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Voyage of Time: Life's Journey(2016)

  Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  Anton Chekhov's the Duel(2010)

  Producer · Writer

  Midcredits score: 64th percentile of all films64^th
• 

  Forty Shades of Blue(2005)

  Producer

  Midcredits score: 44th percentile of all films44^th

Career shape

Across their 5 MovieCove titles from 2005 to 2017.

Biggest box office

Voyage of Time (2016)

$366K worldwide

Highest rated

Far From the Tree (2017)

Midcredits 92^nd

Most popular right now

Voyage of Time: Life's Journey (2016)

How do Mary Bing's films land?

Their typical MovieCove film has a Midcredits score in the 64^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

131

• Universally Loved1
• Crowd Pleaser3
• Mixed1

Most divisive · producer

Forty Shades of Blue (2005)

55^th percentile spread · 22% rated it 4 or lower

Most loved · producer

Far From the Tree (2017)

Midcredits 92^nd · 83% liked

Reviewers score the dialogue 46/100 and the plot and story 41/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mary Bing work with?

People who share at least 2 of Mary Bing's MovieCove titles, grouped by what they did on them; Donald Rosenfeld shares the most, 4.