
Alberto Anaya Adalid
Cinematographer · Born April 28, 1975 (51) · Mexico City, Distrito Federal, Mexico [now Mexico City, Mexico]
- April 28, 1975 (51)
- Mexico City, Distrito Federal, Mexico [now Mexico City, Mexico]
- Cinematographer
- 15 on MovieCove · 25 credits in all
What are Alberto Anaya Adalid's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
Light 1 · Serious 1 · Dark 5
Grounded 5 · Stylized 2 · Heightened 0
Gentle 0 · Charged 6 · Intense 1
A split, not a type: Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 3
Resolved 2 · Open-ended 5 · Ambiguous 0
Moods and endings
- Bittersweet8
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Anaya Adalid's films?
As of October 24, 2026, 13 of their 15 MovieCove titles stream on a subscription or free service, most on Netflix (6).
Subscription and free streaming for Alberto Anaya Adalid's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 15 with a MovieCove page.

The Dead Girls(2025)
Midcredits score: 55th percentile of all shows
The Dentist(2025)
Midcredits score: 34th percentile of all shows (provisional, few ratings)
Body Limits (not in the MovieCove catalog yet)(2024)
Midcredits score: 24th percentile of all shows
¡Que viva México!(2023)
Midcredits score: 41st percentile of all films
Guie'dani's Navel(2018)
Midcredits score: 72nd percentile of all films
Midcredits score: 77th percentile of all shows
Traición (not in the MovieCove catalog yet)(2018)

Demon(2018)
Midcredits score: 47th percentile of all shows
Midcredits score: 23rd percentile of all shows
Vive por mí(2016)
Midcredits score: 19th percentile of all films
Paquita la del Barrio(2017)
Midcredits score: 62nd percentile of all shows
Sincronía(2017)
Midcredits score: 55th percentile of all shows (provisional, few ratings)
Las Aparicio(2015)
Midcredits score: 26th percentile of all films
Fortuna (not in the MovieCove catalog yet)(2013)

Chalán(2012)
Midcredits score: 66th percentile of all films
Restos (not in the MovieCove catalog yet)(2012)

The Cinema Hold Up(2011)
Midcredits score: 41st percentile of all films
Nora's Will(2008)
Midcredits score: 82nd percentile of all films
The Other José (not in the MovieCove catalog yet)(2005)

Huevos (not in the MovieCove catalog yet)(2004)

If I Never See You Again (not in the MovieCove catalog yet)(1997)
El Enemigo del Pueblo (not in the MovieCove catalog yet)

Floridaland (not in the MovieCove catalog yet)
Sheep Xing (not in the MovieCove catalog yet)
Career shape
A full career of 19 titles, 16 of them dated from 1997 to 2025.

Biggest box office
¡Que viva México! (2023)

Highest rated
Nora's Will (2008)

Most popular right now
Sierra Madre: No Trespassing (2023)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alberto Anaya Adalid's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th5
- Below 25th3
Shape of the crowd
9 of their 15 titles are Mixed.
- Cult Classic1
- Crowd Pleaser5
- Mixed9
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Anaya Adalid work with?
People who share at least 2 of Alberto Anaya Adalid's MovieCove titles, grouped by what they did on them; Ianis Guerrero shares the most, 3.
Directors
- Jorge Michel GrauShared titles: Sierra Madre: No Trespassing (2023), Chalán (2012)See all 2 shared titles with Jorge Michel Grau

Writers
- Luis GamboaShared titles: Demon (2018), Paquita la del Barrio (2017)See all 2 shared titles with Luis Gamboa
Actors
- Ianis GuerreroShared titles: The Dentist (2025), The Ballad of Hugo Sánchez (2018), Vive por mí (2016)See all 3 shared titles with Ianis Guerrero

- Lisa OwenShared titles: The Dentist (2025), Crime Diaries: The Candidate (2019)See all 2 shared titles with Lisa Owen

- Ana de la RegueraShared titles: ¡Que viva México! (2023), Las Aparicio (2015)See all 2 shared titles with Ana de la Reguera

- Joaquín CosioShared titles: ¡Que viva México! (2023), Las Aparicio (2015)See all 2 shared titles with Joaquín Cosio

Composers and editors
- David TorresShared titles: Crime Diaries: The Candidate (2019), Demon (2018)See all 2 shared titles with David Torres
- Pascual ReyesShared titles: Crime Diaries: The Candidate (2019), Chalán (2012)See all 2 shared titles with Pascual Reyes

Producers
- Arturo DiazShared titles: Crime Diaries: The Candidate (2019), Demon (2018), The Ballad of Hugo Sánchez (2018)See all 3 shared titles with Arturo Diaz
- Perla MartínezShared titles: Crime Diaries: The Candidate (2019), Demon (2018), The Ballad of Hugo Sánchez (2018)See all 3 shared titles with Perla Martínez

- Sandra SolaresShared titles: ¡Que viva México! (2023), Demon (2018)See all 2 shared titles with Sandra Solares

- Andrés CalderónShared titles: Crime Diaries: The Candidate (2019), The Ballad of Hugo Sánchez (2018)See all 2 shared titles with Andrés Calderón

