- Editor and producer
- 18 on Motif · 24 credits in all
What are Joe Beshenkovsky's films like?
Across their 16 Motif titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 14
A split, not a type: Light 6 · Serious 2 · Dark 6
Grounded 10 · Stylized 3 · Heightened 1
Gentle 6 · Charged 6 · Intense 2
Steady 9 · Shifting 5 · Whiplash 0
Straight-faced 12 · Some laughs 1 · Funny 1
Slow burn 9 · Even-paced 5 · Relentless 0
Casual 7 · Engaged 6 · Full focus 1
A split, not a type: Easy watch 7 · Affecting 1 · Heavy 6
Resolved 10 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet4
- Tragic2
- Ambiguous5
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joe Beshenkovsky's films?
As of October 24, 2026, 14 of their 18 Motif titles stream on a subscription or free service, most on HBO Max (4).
Subscription and free streaming for Joe Beshenkovsky's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 18 with a Motif page.
Motif score: 82nd percentile of all films
Mata Hari (not in the Motif catalog yet)(2026)

MegaDoc(2025)
Motif score: 75th percentile of all films
The Big Cheese(2025)
Motif score: 96th percentile of all films
Flipside (not in the Motif catalog yet)(2024)
Motif score: 95th percentile of all shows
All These Sons(2021)
Motif score: 84th percentile of all films
The Last Cruise(2021)
Motif score: 54th percentile of all films
Belushi(2020)
Motif score: 87th percentile of all films
Into the Deep(2020)
Motif score: 66th percentile of all films
The Zen Diaries of Garry Shandling (not in the Motif catalog yet)(2018)

Jane(2017)
Motif score: 98th percentile of all films
You Can Go (not in the Motif catalog yet)(2016)

Janis: Little Girl Blue(2015)
Motif score: 92nd percentile of all films
Cobain: Montage of Heck(2015)
Motif score: 95th percentile of all films
It's Me, Hilary: The Man Who Drew Eloise (not in the Motif catalog yet)(2015)

Teenage(2013)
Motif score: 60th percentile of all films
Raising Adam Lanza (not in the Motif catalog yet)(2013)
Motif score: 97th percentile of all films
One Nation Under Dog(2012)
Motif score: 86th percentile of all films
9 by Design(2010)
Motif score: 17th percentile of all shows (provisional, few ratings)
Motif score: 94th percentile of all films
Objectified(2009)
Motif score: 82nd percentile of all films
This American Life(2007)
Motif score: 88th percentile of all shows
Career shape
A full career of 18 titles from 2009 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
Awards
3 Primetime Emmys and 1 other major award from 13 major nominations, 2008–2026.
- Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Special
- Primetime Emmy, nominated · Outstanding Picture Editing for a Nonfiction Program
- Venice award, won · Best Documentary on Cinema
- Producers Guild Award, nominated · Outstanding Producer of Non-Fiction Television
- Primetime Emmy, won · Outstanding Documentary or Nonfiction Special
- Primetime Emmy, nominated · Outstanding Picture Editing for a Nonfiction Program
- Primetime Emmy, nominated · Outstanding Sound Editing for a Nonfiction or Reality Program (Single or Multi-Camera)
- Primetime Emmy, won · Outstanding Documentary or Nonfiction Special
- Primetime Emmy, nominated ×2 · Outstanding Picture Editing for Nonfiction Programming
- Primetime Emmy, nominated · Outstanding Picture Editing for Nonfiction Programming
- Primetime Emmy, won · Outstanding Picture Editing for Nonfiction Programming
- Primetime Emmy, nominated · Outstanding Picture Editing for Nonfiction Programming
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Joe Beshenkovsky's films land?
Their typical Motif film has a Motif score in the 86th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up14
- 50th to 74th3
- Below 25th1
Shape of the crowd
7 of their 18 titles are Universally Loved.
- Universally Loved7
- Cult Classic2
- Crowd Pleaser6
- Broadly Agreed1
- Mixed2
Reviewers score the pacing 49/100 in their films, across 9 reviewed titles; fans 59, detractors 28. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joe Beshenkovsky work with?
People who share at least 2 of Joe Beshenkovsky's Motif titles, grouped by what they did on them; James A. Smith shares the most, 4.
Directors
- Brett MorgenShared titles: Jane (2017), Cobain: Montage of Heck (2015)See all 2 shared titles with Brett Morgen

- Christopher WilchaShared titles: Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (2013), This American Life (2007)See all 2 shared titles with Christopher Wilcha
Cinematographers
- Jeremy SchneiderShared titles: Bob and David Climb Machu Picchu (2026), 9 by Design (2010)See all 2 shared titles with Jeremy Schneider
- Adam BeckmanShared titles: Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (2013), This American Life (2007)See all 2 shared titles with Adam Beckman
Producers
- James A. SmithShared titles: The Big Cheese (2025), The Last Cruise (2021), Jane (2017), Cobain: Montage of Heck (2015)See all 4 shared titles with James A. Smith

- Banks TarverShared titles: Bob and David Climb Machu Picchu (2026), 9 by Design (2010), This American Life (2007)See all 3 shared titles with Banks Tarver
- Ken DruckermanShared titles: Bob and David Climb Machu Picchu (2026), 9 by Design (2010), This American Life (2007)See all 3 shared titles with Ken Druckerman
- R.J. CutlerShared titles: Belushi (2020), One Nation Under Dog (2012)See all 2 shared titles with R.J. Cutler

Mixed roles
- Michael LaHaieShared titles: Bob and David Climb Machu Picchu (2026), 9 by Design (2010)See all 2 shared titles with Michael LaHaie


