Aruanã Cavalleiro

What are Aruanã Cavalleiro's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aruanã Cavalleiro's films?

As of October 28, 2026, none of Aruanã Cavalleiro's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Aruanã Cavalleiro's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Primo Basílio(2007)

  Editor

  Midcredits score: 38th percentile of all films38^th
• 

  Um Lobisomem na Amazônia(2005)

  Editor

  Midcredits score: 9th percentile of all films9^th
• 

  Um Show de Verão(2004)

  Editor

  Midcredits score: 4th percentile of all films4^th
• 

  Maria, Mãe do Filho de Deus(2003)

  Editor

  Midcredits score: 25th percentile of all films25^th

Career shape

Across a limited sample of 4 MovieCove titles from 2003 to 2007.

Biggest box office

Primo Basílio (2007)

$3.6M worldwide

Highest rated

Primo Basílio (2007)

Midcredits 38^th

Most popular right now

Um Show de Verão (2004)

How do Aruanã Cavalleiro's films land?

Their typical MovieCove film has a Midcredits score in the 17^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 21^st percentile for acclaim.

Shape of the crowd

4 of their 4 titles are Mixed.

4

• Mixed4

Most divisive · editor

Maria, Mãe do Filho de Deus (2003)

86^th percentile spread · 48% rated it 4 or lower

Most loved · editor

Primo Basílio (2007)

Midcredits 38^th · 38% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aruanã Cavalleiro work with?

People who share at least 2 of Aruanã Cavalleiro's MovieCove titles, grouped by what they did on them; João Paulo Carvalho shares the most, 3.