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Amy Belling

Amy Belling

Cinematographer and producer, also actor · Born July 14, 1980 (46)

Amy Belling csc is a Canadian Society of Cinematographers nominee) and four-time Leo Award winning director of photography with an MFA in Cinematography from the American Film Institute Conservatory in Los Angeles. She also holds a Canadian Screen Awards nomination, a BAFTA award and has been short-listed for the Academy Awards.

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Biography from TMDB.

Born
July 14, 1980 (46)
Works as
Cinematographer and producer, also actor
Titles
22 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are Amy Belling's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama7 titlesTypical Midcredits score: 51st percentile, at or above their average across these genres
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 39th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
31%
Self
29%
Morality
14%
Power
9%
Survival
8%
Society
6%
Ideas
3%
Family bonds4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 2 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 2 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 5 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 7 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 5 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 7 · Affecting 1 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
6
Warm
6
Dread
4
Tense
4
Romantic
4
Other
13

How their films linger

Hopeful9 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet6
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amy Belling's films?

As of October 24, 2026, 18 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Amy Belling's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 22 with a MovieCove page.

  • Beyond Black Beauty(2024)

    Show 4 episodes · Cinematographer

    Midcredits score: 43rd percentile of all shows

  • Cruel Instruction(2022)

    Cinematographer

    Midcredits score: 62nd percentile of all films

  • Highway to Heaven(2021)

    Cinematographer

    Midcredits score: 51st percentile of all films

  • Dying to Belong(2021)

    Cinematographer

    Midcredits score: 58th percentile of all films

  • Gone Mom(2021)

    Cinematographer

    Midcredits score: 58th percentile of all films

  • Five Star Christmas(2020)

    Cinematographer · Producer

    Midcredits score: 73rd percentile of all films

  • My Best Friend's Bouquet(2020)

    Cinematographer

    Midcredits score: 47th percentile of all films

  • Ghosting: The Spirit of Christmas(2019)

    Cinematographer

    Midcredits score: 36th percentile of all films

  • The Intruder(2019)

    "C" Camera Operator

    Midcredits score: 26th percentile of all films

  • Christmas Joy(2018)

    "B" Camera Operator

    Midcredits score: 59th percentile of all films

  • Yellow (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Beauty (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • You Can't Say No(2018)

    "A" Camera Operator · Cinematographer

    Midcredits score: 15th percentile of all films

  • I Am Elizabeth Smart(2017)

    "A" Camera Operator

    Midcredits score: 60th percentile of all films

  • A Harvest Wedding(2017)

    "B" Camera Operator

    Midcredits score: 65th percentile of all films

  • Holy Angels (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Woman of the House(2017)

    "A" Camera Operator

    Midcredits score: 30th percentile of all films

  • Same Time Next Week(2017)

    "B" Camera Operator

    Midcredits score: 61st percentile of all films

  • Bad Date Chronicles(2017)

    "B" Camera Operator

    Midcredits score: 40th percentile of all films

  • Integral Man(2017)

    Additional Photography

    Midcredits score: 87th percentile of all films (provisional, few ratings)

  • A Remarkable Life(2016)

    Cinematographer

    Midcredits score: 12th percentile of all films

  • Two 4 One(2014)

    Camera Operator · Cinematographer

    Midcredits score: 27th percentile of all films

  • Songs She Wrote About People She Knows(2014)

    Camera Operator · Cinematographer · Producer

    Midcredits score: 41st percentile of all films (provisional, few ratings)

  • Highway of Tears (not in the MovieCove catalog yet)(2014)

    Cinematographer

  • Hannah Has a Ho-Phase(2012)

    Gaffer

    Midcredits score: 18th percentile of all films

  • Stress Position(2013)

    "B" Camera Operator · Cinematographer · Executive Producer · Producer · as White Figure

    Midcredits score: 19th percentile of all films

  • The Soldier Game (not in the MovieCove catalog yet)(2011)

    Cinematographer · Executive Producer

  • The Strange Thing About the Johnsons (not in the MovieCove catalog yet)(2011)

    Grip

  • Reverse (not in the MovieCove catalog yet)(2008)

    Cinematographer

  • Hirsute (not in the MovieCove catalog yet)(2007)

    Producer

  • The Saddest Boy in the World (not in the MovieCove catalog yet)(2006)

    Cinematographer · Producer

Career shape

A full career of 31 titles from 2006 to 2024.

Highest rated

Five Star Christmas (2020)

Midcredits 73rd

Most popular right now

Gone Mom (2021)

By role

only this rolewith another role
Acting1 of 31: 0 only acting, 1 with another roleProducing5 of 31: 1 only producing, 4 with another roleCinematography20 of 31: 14 only cinematography, 6 with another role · typical Midcredits score43rdOther crew14 of 31: 10 only other crew, 4 with another role · typical Midcredits score40th

31 titles, 6 with more than one role — cinematography and other crew overlap on 4 of them.

By decade

2000s3 · crew2010s21 · 1 acting · 21 crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Amy Belling's films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 21; across their 12 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 12

Approval · how many liked their films

47thpercentile
Typical film, the median of 12

Reach · how many have seen their films

38thpercentile
Typical film, the median of 12

Midcredits score across 22 titles, by percentile

  • 75th and up1
  • 50th to 74th9
  • 25th to 49th8
  • Below 25th4

Shape of the crowd

12 of their 22 titles are Mixed.

  • Divisive2
  • Cult Classic2
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed12

Most divisive · cinematographer

Highway to Heaven (2021)

95th percentile spread · 31% rated it 4 or lower

Most loved · producer, cinematographer

Five Star Christmas (2020)

Midcredits 73rd · 68% liked

Reviewers score the cinematography 61/100 in their films, across 7 reviewed titles; fans 64, detractors 47. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amy Belling work with?

People who share at least 2 of Amy Belling's MovieCove titles, grouped by what they did on them; Gail Harvey shares the most, 2.

Directors

Actors

Composers and editors

Producers

Mixed roles