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Jon Croker

Jon Croker

Writer and producer

Jon Croker is a British screenwriter. He entered the film industry working in production and script development roles, including serving as a production assistant on Harry Potter and the Prisoner of Azkaban (2004) and as an assistant to director Mike Newell on Harry Potter and the Goblet of Fire (2005). He subsequently worked in script editing and development, contributing to the shaping of several British films, including Attack the Block (2011), The Iron Lady (2011), and The Deep Blue Sea (2011). Croker's transition into credited screenwriting came in the early 2010s. He wrote the screenplay for the psychological thriller In Fear (2013) and the dance drama Desert Dancer (2014), followed by the gothic horror sequel The Woman in Black 2: Angel of Death (2015). His work during this period also includes contributions to other feature films, including Fast Girls (2012) and American Animals (2018). He provided additional material for the family films Paddington (2014) and Paddington 2 (2017). In the 2020s, Croker continued working across genre cinema and prestige projects. He wrote the screenplay for the horror film No One Gets Out Alive (2021). He also wrote the screenplay for the animated short The Boy, the Mole, the Fox and the Horse (2022), which won the Academy Award for Best Animated Short Film. Continuing to work with Paddington director Paul King, he was one of the writers on Wonka (2023). Croker is represented in the United Kingdom by Independent Talent Group.

Read more

Biography from TMDB.

Works as
Writer and producer
Titles
8 on MovieCove · 13 credits in all

What are Jon Croker's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 4

Grounded 1 · Stylized 6 · Heightened 1

A split, not a type: Gentle 1 · Charged 2 · Intense 5

Steady 3 · Shifting 4 · Whiplash 1

Straight-faced 6 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 5 · Relentless 1

Casual 3 · Engaged 3 · Full focus 2

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
4
Hopeful
2
Warm
2
Thrilling
3
Other
6

How their films end · 3 with a twist

  • Happy3
  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jon Croker's films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jon Croker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 8 with a MovieCove page.

  • High in the Clouds (not in the MovieCove catalog yet)(2027)

    Writer

  • Midcredits score: 97th percentile of all films
  • No One Gets Out Alive(2021)

    Executive Producer · Screenplay

    Midcredits score: 16th percentile of all films
  • American Animals(2018)

    Writer

    Midcredits score: 83rd percentile of all films
  • Paddington 2(2017)

    Writer

    Midcredits score: 98th percentile of all films
  • Midcredits score: 8th percentile of all films
  • Desert Dancer(2014)

    Screenplay

    Midcredits score: 55th percentile of all films
  • In Fear(2013)

    Story Consultant

    Midcredits score: 26th percentile of all films
  • Midcredits score: 56th percentile of all films
  • Black Palace (not in the MovieCove catalog yet)

    Producer · Writer

  • Hallelujah! (not in the MovieCove catalog yet)

    Screenplay

  • Prince Charming (not in the MovieCove catalog yet)

    Writer

  • Witchfinder (not in the MovieCove catalog yet)

    Screenplay

Career shape

A full career of 11 titles, 6 of them dated from 2013 to 2022.

By role

only this rolewith another role
Writing11 of 11: 9 only writing, 2 with another role · typical Midcredits score41stProducing2 of 11: 0 only producing, 2 with another role

By decade

2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jon Croker's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 8

Approval · how many liked their films

52ndpercentile
Typical film, the median of 8

Reach · how many have seen their films

94thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

3 of their 8 titles are Mixed.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed3

Reviewers score the dialogue 47/100 and the plot and story 44/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jon Croker's work okay for kids?

Across up to 7 MovieCove titles with content scores, frightening / intense runs heavier than most films and sex & nudity, profanity and alcohol & drugs lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles10–63 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles3–25 · median 13 · minimallighter than most filmsMedian of all films: 32
Profanity6 titles2–67 · median 16 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs6 titles2–44 · median 19 · mildlighter than most filmsMedian of all films: 33
Frightening / Intense7 titles23–69 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jon Croker work with?

People who share at least 2 of Jon Croker's MovieCove titles, grouped by what they did on them; Katherine Butler shares the most, 3.

Editors

Producers