
Julia Bacha
Director, writer, producer, cinematographer and editor · Born January 1, 1980 (46) · Rio de Janeiro, Rio de Janeiro, Brazil
Julia Bacha is a Peabody and Guggenheim award-winning filmmaker and the Creative Director at Just Vision, an organization that fills a media gap on Israel-Palestine through independent storytelling and strategic audience engagement. Since graduating Magna Cum Laude and Phi Beta Kappa from Columbia University, she has strategically used documentary film to foster constructive conversations on some of the most divisive issues of our times. Julia started her filmmaking career in Cairo, where she wrote and edited Control Room (2004), for which she was nominated for the Writer’s Guild of America Award. Control Room became one of the highest-grossing political documentaries of all time and introduced Americans for the first time to the inner workings of the Arab satellite channel, Al Jazeera Subsequently, she moved to Jerusalem where she co-directed, wrote, and edited Encounter Point (2006), which followed Palestinians and Israelis who risked their lives and public standing to promote an end to the occupation and the conflict. Encounter Point premiered at the Tribeca Film Festival, won the best documentary prize at the San Francisco Film Festival, and was broadcast on Al Arabiya to millions of viewers. Julia then directed and produced the critically-acclaimed Budrus (2009), which chronicled the story of a Palestinian community organizer who united all Palestinian factions and Israelis to save his village from destruction by Israel's separation barrier. Hailed in The New York Times as "this year's must-see documentary," the film successfully shifted the way international media covered the protests, as confirmed by an independent media audit by Edelman PR. Subsequently, Julia directed and produced My Neighbourhood (2012), which follows a Palestinian teenager struggling to reclaim his home in East Jerusalem from Israeli settlers. The film premiered at the Tribeca Film Festival. It was released online by The Guardian, and won the coveted Peabody Award. Julia also directed Naila and the Uprising (2017), which chronicles the remarkable journey of Naila Ayesh whose story weaves through the most vibrant, nonviolent mobilization in Palestinian history -- the First Intifada. Julia received a Guggenheim Fellowship to produce the film, which had its US premiere at DOC NYC, European Premiere at IDFA, and Middle East Premiere at the Dubai Film Festival. It was broadcast on PBS in 2019 as part of the series Women, War and Peace II, Executive Produced by Abigail Disney. Most recently, Julia directed Boycott (2021), which documents the efforts of three Americans from diverse backgrounds to protect the right to boycott in America. The film was an official selection at SXSW, HotDocs, and DOC NYC and was covered by CNN, MSNBC, and The New York Times, among others. In addition to over thirty film festival awards, Julia is the recipient of the King Hussein Leadership Prize, Search for Common Ground Award, Ridenhour Film Prize, DocSociety Creative Impact Award, Chicken & Egg Prize, and Columbia University’s Medal of Excellence. Originally from Brazil, Julia is a documentary branch member of the Academy of Motion Picture Arts and Sciences.
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Biography from TMDB.
- January 1, 1980 (46)
- Rio de Janeiro, Rio de Janeiro, Brazil
- Director, writer, producer, cinematographer and editor
- 4 on MovieCove · 9 credits in all
What are Julia Bacha's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 0 · Affecting 3 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Julia Bacha's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Julia Bacha's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 4 with a MovieCove page.

Boycott(2021)
Midcredits score: 93rd percentile of all films (provisional, few ratings)
Women, War & Peace II (not in the MovieCove catalog yet)(2019)

Naila and the Uprising(2017)
Midcredits score: 91st percentile of all films
My Neighbourhood (not in the MovieCove catalog yet)(2012)

Budrus(2009)
Midcredits score: 92nd percentile of all filmsHome Front: Portraits from Sheikh Jarrah (not in the MovieCove catalog yet)(2009)

Encounter Point (not in the MovieCove catalog yet)(2006)

Control Room(2004)
Midcredits score: 94th percentile of all filmsUntitled Zohran Mamdani Documentary (not in the MovieCove catalog yet)
Career shape
A full career of 9 titles, 8 of them dated from 2004 to 2021.
How do Julia Bacha's films land?
Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 91st percentile for acclaim.
- 75th and up4
Shape of the crowd
3 of their 4 titles are Mixed.
- Universally Loved1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Julia Bacha work with?
People who share at least 2 of Julia Bacha's MovieCove titles, grouped by what they did on them; Flavia de Souza shares the most, 2.
Editors
- Flavia de SouzaShared titles: Boycott (2021), Naila and the Uprising (2017)See all 2 shared titles with Flavia de Souza
Producers
- Abigail DisneyShared titles: Boycott (2021), Naila and the Uprising (2017)See all 2 shared titles with Abigail Disney

- Daniel J. ChalfenShared titles: Boycott (2021), Budrus (2009)See all 2 shared titles with Daniel J. Chalfen

- Suhad BabaaShared titles: Boycott (2021), Naila and the Uprising (2017)See all 2 shared titles with Suhad Babaa
- Jess DevaneyShared titles: Naila and the Uprising (2017), Budrus (2009)See all 2 shared titles with Jess Devaney
