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Alexander Bohr

Alexander Bohr

Producer

Works as
Producer
Titles
20 on MovieCove · 32 credits in all
TMDB popularity, last 63 days to Oct 26Down 35% in 30 days

What are Alexander Bohr's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Self and Power.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 5 · Dark 13

Grounded 7 · Stylized 7 · Heightened 5

A split, not a type: Gentle 5 · Charged 6 · Intense 7

A split, not a type: Steady 8 · Shifting 5 · Whiplash 6

Straight-faced 13 · Some laughs 5 · Funny 1

Slow burn 13 · Even-paced 5 · Relentless 1

Casual 1 · Engaged 13 · Full focus 5

Easy watch 0 · Affecting 7 · Heavy 12

A split, not a type: Resolved 4 · Open-ended 4 · Ambiguous 11

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
11
Contemplative
12
Dread
5
Absurd
5
Other
14

How their films end · 1 with a twist

  • Bittersweet10
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexander Bohr's films?

As of October 24, 2026, 9 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Alexander Bohr's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 20 with a MovieCove page.

  • Holy Spider(2022)

    Associate Producer

    Midcredits score: 87th percentile of all films
  • Corsage(2022)

    Co-Producer

    Midcredits score: 65th percentile of all films
  • Gentle(2022)

    Producer

    Midcredits score: 53rd percentile of all films
  • Triangle of Sadness(2022)

    Producer

    Midcredits score: 85th percentile of all films
  • Rhino(2021)

    Associate Producer

    Midcredits score: 69th percentile of all films
  • The Middle Man(2021)

    Associate Producer

    Midcredits score: 43rd percentile of all films
  • Natural Light(2021)

    Producer

    Midcredits score: 38th percentile of all films
  • Undine(2020)

    Commissioning Editor · Producer

    Midcredits score: 69th percentile of all films
  • Patrick (not in the MovieCove catalog yet)(2019)

    Associate Producer

  • A Tale of Three Sisters (not in the MovieCove catalog yet)(2019)

    Associate Producer

  • Ága(2018)

    Producer

    Midcredits score: 85th percentile of all films
  • The Square(2017)

    Associate Producer

    Midcredits score: 82nd percentile of all films
  • A Fantastic Woman(2017)

    Producer

    Midcredits score: 86th percentile of all films
  • Grain(2017)

    Producer

    Midcredits score: 48th percentile of all films
  • Jupiter's Moon(2017)

    Producer

    Midcredits score: 44th percentile of all films
  • Wednesday 04:45 (not in the MovieCove catalog yet)(2015)

    Associate Producer

  • Midcredits score: 81st percentile of all films
  • Midcredits score: 84th percentile of all films
  • White God(2014)

    Associate Producer

    Midcredits score: 77th percentile of all films
  • Metéora (not in the MovieCove catalog yet)(2013)

    Co-Producer

  • Tabu(2012)

    Associate Producer

    Midcredits score: 88th percentile of all films
  • In the Fog(2012)

    Producer

    Midcredits score: 70th percentile of all films
  • Play (not in the MovieCove catalog yet)(2011)

    Executive Producer

  • Tender Son: The Frankenstein Project (not in the MovieCove catalog yet)(2010)

    Co-Producer

  • The Light Thief(2010)

    Producer

    Midcredits score: 62nd percentile of all films
  • Sleepwalking Land(2007)

    Producer

    Midcredits score: 67th percentile of all films
  • The Way to Murnau (not in the MovieCove catalog yet)(2003)

    Director · Writer

  • Falcons (not in the MovieCove catalog yet)(2002)

    Producer

  • The Immoderation of Me - Sandra Maischberger meets Leni Riefenstahl (not in the MovieCove catalog yet)(2002)

    Editor

  • Nun, Volk, steh auf! (not in the MovieCove catalog yet)(1998)

    Director

  • In Doctor von Trier's Laboratory: Back to the Magic of Cinema (not in the MovieCove catalog yet)(1998)

    Executive Producer

  • Das phantastische Universum des H.R. Giger (not in the MovieCove catalog yet)(1987)

    Director

Career shape

A full career of 20 titles from 1987 to 2022.

By role

only this rolewith another role
Directing3 of 20: 2 only directing, 1 with another roleWriting1 of 20: 0 only writing, 1 with another roleProducing15 of 20: 15 only producing, 0 with another role · typical Midcredits score77thEditing1 of 20: 1 only editing, 0 with another roleOther crew1 of 20: 1 only other crew, 0 with another role

By decade

1980s1 · crew1990s2 · crew2000s3 · crew2010s9 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexander Bohr's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 19

Approval · how many liked their films

70thpercentile
Typical film, the median of 19

Reach · how many have seen their films

79thpercentile
Typical film, the median of 19

Midcredits score across 20 titles, by percentile

  • 75th and up9
  • 50th to 74th7
  • 25th to 49th4

Shape of the crowd

15 of their 20 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser15
  • Broadly Agreed1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexander Bohr's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles36–87 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles22–70 · median 54 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles41–59 · median 51 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles35–53 · median 47 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles48–91 · median 55 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alexander Bohr work with?

People who share at least 2 of Alexander Bohr's MovieCove titles, grouped by what they did on them; Olivier Père shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers