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Erik Curtis

Cinematographer

Works as
Cinematographer
Titles
14 on MovieCove · 15 credits in all
TMDB popularity, last 65 days to Oct 28Up 48% in 30 days

What are Erik Curtis' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 4 · Heightened 0

Gentle 0 · Charged 6 · Intense 1

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 1

Casual 1 · Engaged 6 · Full focus 0

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Warm
3
Hopeful
2
Dread
3
Melancholic
2
Other
5

How their films end · 2 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erik Curtis' films?

As of October 24, 2026, 6 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Erik Curtis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 14 with a MovieCove page.

  • Electric Jesus(2020)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • 200 Degrees(2017)

    Cinematographer

    Midcredits score: 10th percentile of all films
  • Spring Breakers(2012)

    Camera Operator

    Midcredits score: 27th percentile of all films
  • Don't Let Me Go(2013)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • The Investigator(2013)

    Cinematographer

    Midcredits score: 50th percentile of all films
  • Act of Valor(2012)

    Underwater Camera

    Midcredits score: 58th percentile of all films
  • Game of Death(2011)

    Cinematographer

    Midcredits score: 9th percentile of all films
  • Johnny's Gone(2011)

    Cinematographer

    Midcredits score: 83rd percentile of all films (provisional, few ratings)
  • Angel Camouflaged (not in the MovieCove catalog yet)(2010)

    First Assistant Camera

  • The Crazies(2010)

    First Assistant Camera

    Midcredits score: 60th percentile of all films
  • The Steam Experiment(2009)

    Cinematographer

    Midcredits score: 3rd percentile of all films
  • Pledge This!(2006)

    Second Assistant "B" Camera

    Midcredits score: 5th percentile of all films
  • Altered(2006)

    First Assistant Camera

    Midcredits score: 32nd percentile of all films
  • Miami Vice(2006)

    Second Assistant Camera

    Midcredits score: 51st percentile of all films
  • Inked(2005)

    Show Cinematographer

    Midcredits score: 8th percentile of all shows

Career shape

A full career of 10 titles from 2006 to 2020.

By role

only this rolewith another role
Cinematography3 of 10: 3 only cinematography, 0 with another roleOther crew7 of 10: 7 only other crew, 0 with another role · typical Midcredits score42nd

By decade

2000s4 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Erik Curtis' films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 13; across their 7 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 7

Approval · how many liked their films

62ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

51stpercentile
Typical film, the median of 7

Midcredits score across 14 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th5

Shape of the crowd

7 of their 14 titles are Mixed.

  • Universally Panned1
  • Loved with Detractors1
  • Divisive3
  • Crowd Pleaser2
  • Mixed7

Reviewers score the cinematography 53/100 in their films, across 6 reviewed titles; fans 69, detractors 29. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Erik Curtis work with?

People who share at least 2 of Erik Curtis' MovieCove titles, grouped by what they did on them; Giorgio Serafini shares the most, 4.

Directors

Actors

Producers

Mixed roles