Martin Slattery
- Composer
- 6 on Motif · 7 credits in all
What are Martin Slattery's films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 1
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Martin Slattery's films?
As of October 24, 2026, all 6 Motif titles stream on a subscription or free service.
- Curiosity Stream
Subscription and free streaming for Martin Slattery's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 6 with a Motif page; 1 appearance as themselves is hidden until asked for.
Midcredits score: 62nd percentile of all films
The King(2017)
Midcredits score: 68th percentile of all films
Lost in London(2017)
Midcredits score: 50th percentile of all films
Barney Thomson(2015)
Midcredits score: 49th percentile of all films
The Look of Love(2013)
Midcredits score: 37th percentile of all films
Treasure Island (not in the Motif catalog yet)(2012)
Black Mirror(2011)
Midcredits score: 98th percentile of all shows
Career shape
A full career of 7 titles from 2011 to 2026.
How do Martin Slattery's films land?
Their typical Motif film has a Midcredits score in the 50th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th2
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed1
Reviewers score the sound and music 59/100 in their films, across 4 reviewed titles; fans 66, detractors 46. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Martin Slattery work with?
People who share at least 2 of Martin Slattery's Motif titles; Antony Genn shares the most, 4.
- Antony GennShared titles: Peaky Blinders: The Immortal Man (2026), Lost in London (2017), The King (2017), The Look of Love (2013)See all 4 shared titles with Antony Genn
- Andrew WarrenShared titles: Peaky Blinders: The Immortal Man (2026), Lost in London (2017)See all 2 shared titles with Andrew Warren