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Hybrid

Hybrid

Composer

Hybrid are Mike Truman & Charlotte Truman who have gained international acclaim for their combination contemporary electronic music with enveloping orchestral scores and soundscapes. Hybrid's first artist album 'Wide Angle' in 1999 was considered to be ground breaking in fusing modern electronica with performances from the Russian Federal Orchestra. They have written a further five artist albums, toured around many of the world's most iconic music venues and festivals and have remixed artists as diverse as New Order, Radiohead, Idris Elba & Cypress Hill, UNKLE, Alanis Morrisette, Jean Michelle Jarre, Moby, Future Sound Of London and The Orb. A natural progression from their orchestral heavy albums led them into film scoring when they were invited to work on Tony Scott's Man On Fire in 2004 through friend and collaborator Harry Gregson-Williams. Hybrid have since worked extensively throughout the film music industry on numerous projects including the Fast & Furious franchise, Fifty Shades Freed, Hobbs & Shaw and Wonder Woman 1984. Hybrid released their 6th studio album in 2021, Black Halo which went straight to #1 in the Electronic charts in the UK, USA and Australia. The band are about to star work on the Brilliant Pictures production Deep Fear starring Ed Westwick and Mãdãlina Ghenea and directed by Marcus Adams and slated for release in early 2023.

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Biography from IMDb.

Works as
Composer
Titles
8 on MovieCove · 9 credits in all
TMDB popularity, last 156 days to Oct 27Down 27% in 30 days

What are Hybrid's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 2 · Dark 5

Grounded 3 · Stylized 5 · Heightened 0

Gentle 0 · Charged 2 · Intense 6

Steady 1 · Shifting 6 · Whiplash 1

Straight-faced 6 · Some laughs 1 · Funny 1

Slow burn 2 · Even-paced 3 · Relentless 3

Casual 3 · Engaged 5 · Full focus 0

Resolved 6 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Dread
4
Thrilling
5
Absurd
1
Melancholic
1
Other
2

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hybrid's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Hybrid's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • Get Away(2024)

    Composer

    Midcredits score: 18th percentile of all films
  • Deep Fear(2023)

    Composer

    Midcredits score: 42nd percentile of all films
  • Interlude in Prague(2017)

    Composer

    Midcredits score: 54th percentile of all films
  • Midcredits score: 9th percentile of all films
  • Billionaire Ransom(2016)

    Composer

    Midcredits score: 28th percentile of all films
  • Vice(2015)

    Composer

    Midcredits score: 2nd percentile of all films
  • Dead in Tombstone(2013)

    Composer

    Midcredits score: 11th percentile of all films
  • Othello (not in the MovieCove catalog yet)(2008)

    Sound

  • Catacombs(2007)

    Composer

    Midcredits score: 8th percentile of all films

Career shape

A full career of 7 titles from 2008 to 2024.

By role

only this rolewith another role
Music6 of 7: 6 only music, 0 with another role · typical Midcredits score23rdOther crew1 of 7: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hybrid's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 8

Approval · how many liked their films

13thpercentile
Typical film, the median of 8

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2
  • Below 25th5

Reviewers score the sound and music 49/100 in their films, across 8 reviewed titles; fans 64, detractors 32. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Hybrid's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles44–57 · median 52 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Hybrid work with?

People who share at least 2 of Hybrid's MovieCove titles, grouped by what they did on them; Roel Reiné shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers