Katharina Schöde

What are Katharina Schöde's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katharina Schöde's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (1).

• Netflix1 title, browse their movies on this service
  • The Privilege (2022) · director, writer

Subscription and free streaming for Katharina Schöde's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

• 

  Weihnachten im Olymp (not in the MovieCove catalog yet)(2025)

  Director · Writer
• 

  The Privilege(2022)

  Director · Writer

  Midcredits score: 7th percentile of all films7^th
• 

  Emerald Green(2016)

  Director · Producer · Screenplay

  Midcredits score: 54th percentile of all films54^th
• 

  Sapphire Blue(2014)

  Director · Producer · Screenplay

  Midcredits score: 64th percentile of all films64^th
• 

  Ruby Red(2013)

  Producer · Screenplay

  Midcredits score: 60th percentile of all films60^th
• 

  Losing Balance (not in the MovieCove catalog yet)(2009)

  Producer · Writer

Career shape

A full career of 6 titles from 2009 to 2025.

Biggest box office

Ruby Red (2013)

$5.5M worldwide

Highest rated

Sapphire Blue (2014)

Midcredits 64^th

How do Katharina Schöde's films land?

Their typical MovieCove film has a Midcredits score in the 57^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

22

• Crowd Pleaser2
• Mixed2

Most loved · director, writer, producer

Sapphire Blue (2014)

Midcredits 64^th · 53% liked

Reviewers score the dialogue 25/100 and the plot and story 32/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Katharina Schöde work with?

People who share at least 2 of Katharina Schöde's MovieCove titles, grouped by what they did on them; Felix Fuchssteiner shares the most, 4.