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Jeremy Stulberg

Jeremy Stulberg

Editor and producer

Jeremy Stulberg, ACE is an award-winning veteran documentary filmmaker and editor. His latest editing work is showcased in "Bang My Box: The Robin Byrd Story", tracing the rise of a boundary-pushing, sex-positive, cable-access pioneer who became an accidental AIDS-era lifeline and First Amendment fighter. The film will premiere on HBO in 2026. Previously, Jeremy edited Move Ya Body: The Birth of House (2025), directed by Elegance Bratton and produced by Roger Ross Williams, premiering at Sundance 2025. He wrote and edited Sabbath Queen (2024), Executive Produced by Darren Aronofsky and directed by Sandi Simcha Dubowski. Filmed over 20 years, Sabbath Queen tells the story of a queer activist rabbi reinventing Judaism in a rapidly evolving 21st century. After premiering at Tribeca, the film received multiple festival awards, a theatrical release, and was named a New York Times Critics' Pick. Jeremy is a Sundance Documentary Fellow and has received grants and funding from numerous organizations, including the New York State Council on the Arts, The Sundance Documentary Fund, The Tribeca Film Institute, and ITVS, among others. Additional highlights include his work as consulting editor on Laura Poitras's Terror Contagion (2021) (Cannes premiere, Academy Award shortlist, distributed by NEON); producing and editing Growing Up Coy (2016) (Netflix acquisition, multi-award winner); and directing, producing, and editing Broken Heart Land (2014) (PBS/ITVS co-production). His debut feature, Off the Grid: Life on the Mesa (2007), premiered on The Sundance Channel, winning eight Best Documentary awards and earning a Gotham Award nomination. Jeremy has also produced and edited nationally airing social-issue documentaries such as The Education of Shelby Knox (2005) (POV/Sundance), Young Lakota (2012) (Independent Lens), as well as series including Vice (2019) (Showtime/Emmy-Nominated), Children of the Underground (2022) (FX/Story Syndicate), Woman with Gloria Steinem (2016) (Vice/Emmy-Nominated), and Gaycation (2016) (Vice). He also edited Todd Stephens's queer cult comedy Another Gay Movie (2006).

Read more

Biography from IMDb.

Works as
Editor and producer
Titles
11 on MovieCove · 22 credits in all

What are Jeremy Stulberg's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
7
Warm
6
Contemplative
5
Joyful
2
Melancholic
2
Other
6

How their films end

  • Happy2
  • Bittersweet4
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeremy Stulberg's films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Jeremy Stulberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 11 with a MovieCove page.

  • Midcredits score: 72nd percentile of all films
  • Move Ya Body: The Birth of House (not in the MovieCove catalog yet)(2025)

    Editor

  • Sabbath Queen (not in the MovieCove catalog yet)(2024)

    Editor

  • Relative(2022)

    Editor

    Midcredits score: 75th percentile of all films
  • Midcredits score: 49th percentile of all shows
  • The Year of the Everlasting Storm(2021)

    Consulting Editor

    Midcredits score: 39th percentile of all films
  • The Oxy Kingpins (not in the MovieCove catalog yet)(2021)

    Editor

  • I Hart Food(2017)

    Show Editor

    Midcredits score: 24th percentile of all shows (provisional, few ratings)
  • Growing Up Coy(2016)

    Editor · Producer

    Midcredits score: 44th percentile of all films
  • Gaycation(2016)

    Show Editor · Producer

    Midcredits score: 57th percentile of all shows
  • Woman with Gloria Steinem(2016)

    Show Editor · Producer

    Midcredits score: 40th percentile of all shows (provisional, few ratings)
  • Broken Heart Land (not in the MovieCove catalog yet)(2014)

    Director · Editor · Producer

  • Midcredits score: 85th percentile of all shows
  • Feathered Cocaine (not in the MovieCove catalog yet)(2010)

    Editor

  • This Emotional Life(2010)

    Show Editor

    Midcredits score: 86th percentile of all shows
  • Nowhere Kids (not in the MovieCove catalog yet)(2009)

    Editor · Writer

  • Off the Grid: Life on the Mesa (not in the MovieCove catalog yet)(2008)

    Director · Writer

  • White Horse (not in the MovieCove catalog yet)(2008)

    Editor

  • My Mother's Garden (not in the MovieCove catalog yet)(2008)

    Editor

  • Another Gay Movie(2006)

    Editor

    Midcredits score: 29th percentile of all films
  • New York Underground (not in the MovieCove catalog yet)(2003)

    Editor

  • The Virtual Corpse (not in the MovieCove catalog yet)(2003)

    Assistant Editor

Career shape

A full career of 16 titles from 2003 to 2026.

By role

only this rolewith another role
Directing2 of 16: 0 only directing, 2 with another roleWriting2 of 16: 0 only writing, 2 with another roleProducing2 of 16: 0 only producing, 2 with another roleEditing13 of 16: 10 only editing, 3 with another roleOther crew2 of 16: 2 only other crew, 0 with another role

16 titles, 4 with more than one role — editing and directing overlap on 1 of them.

By decade

2000s7 · crew2010s3 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jeremy Stulberg's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 4

Approval · how many liked their films

51stpercentile
Typical film, the median of 4

Reach · how many have seen their films

59thpercentile
Typical film, the median of 4

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th1

Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 55, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jeremy Stulberg work with?

People who share at least 2 of Jeremy Stulberg's MovieCove titles, grouped by what they did on them; Niharika Desai shares the most, 2.

Editors

Producers

Mixed roles