Peter Lambert
- Editor
- 18 on MovieCove
Known for
What are Peter Lambert's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
A split, not a type: Light 4 · Serious 1 · Dark 5
Grounded 4 · Stylized 4 · Heightened 2
A split, not a type: Gentle 3 · Charged 3 · Intense 4
Steady 4 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 3
Slow burn 5 · Even-paced 5 · Relentless 0
Casual 6 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 5 · Affecting 3 · Heavy 2
Resolved 7 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Lambert's films?
As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Peter Lambert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 18 with a MovieCove page.

Office Romance(2026)
Midcredits score: 32nd percentile of all films
The Regime(2024)
Midcredits score: 13th percentile of all shows
See How They Run(2022)
Midcredits score: 58th percentile of all films
Ticket to Paradise(2022)
Midcredits score: 44th percentile of all films
A Boy Called Christmas(2021)
Midcredits score: 69th percentile of all films
Midcredits score: 62nd percentile of all films
Midcredits score: 72nd percentile of all films
The Death of Stalin(2017)
Midcredits score: 90th percentile of all films
Woman in Gold(2015)
Midcredits score: 88th percentile of all films
A Brilliant Young Mind(2014)
Midcredits score: 82nd percentile of all films
Another Me(2013)
Midcredits score: 8th percentile of all films
The Last Days on Mars(2013)
Midcredits score: 20th percentile of all films
Now Is Good(2012)
Midcredits score: 80th percentile of all films
A Better Life(2011)
Midcredits score: 86th percentile of all films
Cracks(2009)
Midcredits score: 66th percentile of all films
Midcredits score: 23rd percentile of all films
Body of Lies(2008)
Midcredits score: 78th percentile of all films
Children of Men(2006)
Midcredits score: 97th percentile of all films
Career shape
A full career of 18 titles from 2006 to 2026.

Biggest box office
The Twilight Saga: New Moon (2009)

Highest rated
The Death of Stalin (2017)

Most popular right now
The Twilight Saga: New Moon (2009)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Peter Lambert's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 17; across their 10 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up7
- 50th to 74th5
- 25th to 49th2
- Below 25th4
Shape of the crowd
9 of their 18 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser9
- Broadly Agreed2
- Mixed5
Reviewers score the pacing 55/100 in their films, across 10 reviewed titles; fans 63, detractors 37. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Peter Lambert's work okay for kids?
Across up to 9 MovieCove titles with content scores, sex & nudity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Peter Lambert work with?
People who share at least 2 of Peter Lambert's MovieCove titles, grouped by what they did on them; Ol Parker shares the most, 4.
Directors
- Ol ParkerShared titles: Ticket to Paradise (2022), A Boy Called Christmas (2021), Mamma Mia! Here We Go Again (2018), Now Is Good (2012)See all 4 shared titles with Ol Parker

- Chris WeitzShared titles: A Better Life (2011), The Twilight Saga: New Moon (2009)See all 2 shared titles with Chris Weitz

Actors
- Sally HawkinsShared titles: A Boy Called Christmas (2021), A Brilliant Young Mind (2014)See all 2 shared titles with Sally Hawkins

- Alexa DaviesShared titles: Mamma Mia! Here We Go Again (2018), A Brilliant Young Mind (2014)See all 2 shared titles with Alexa Davies

- Olivia WilliamsShared titles: The Last Days on Mars (2013), Now Is Good (2012)See all 2 shared titles with Olivia Williams

- Dakota FanningShared titles: Now Is Good (2012), The Twilight Saga: New Moon (2009)See all 2 shared titles with Dakota Fanning

Composers and cinematographers
- Zac NicholsonShared titles: A Boy Called Christmas (2021), The Death of Stalin (2017)See all 2 shared titles with Zac Nicholson

- Alexandre DesplatShared titles: A Better Life (2011), The Twilight Saga: New Moon (2009)See all 2 shared titles with Alexandre Desplat

- Javier AguirresarobeShared titles: A Better Life (2011), The Twilight Saga: New Moon (2009)See all 2 shared titles with Javier Aguirresarobe

Producers
- Sarah HarveyShared titles: Ticket to Paradise (2022), Now Is Good (2012)See all 2 shared titles with Sarah Harvey
- Graham BroadbentShared titles: A Boy Called Christmas (2021), Now Is Good (2012)See all 2 shared titles with Graham Broadbent

- Peter CzerninShared titles: A Boy Called Christmas (2021), Now Is Good (2012)See all 2 shared titles with Peter Czernin

- Christine LanganShared titles: A Brilliant Young Mind (2014), Now Is Good (2012)See all 2 shared titles with Christine Langan



