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Federica Pontremoli

Federica Pontremoli

Writer · Born January 1, 1966 (60) · Genoa, Liguria, Italy

Born
January 1, 1966 (60)
From
Genoa, Liguria, Italy
Works as
Writer
Titles
6 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 21% in 30 days

What are Federica Pontremoli's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
43%
Self
35%
Morality
13%
Ideas
5%
Society
4%
Family bonds3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 2 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 2 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 1 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Joyful
3
Bittersweet
3
Melancholic
2
Contemplative
1
Other
2

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end

  • Happy2
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Federica Pontremoli's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Federica Pontremoli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 6 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • It Will Happen Tonight (not in the MovieCove catalog yet)(2026)

    Screenplay

  • Never Too Late (not in the MovieCove catalog yet)(2024)

    Show 10 episodes · Screenplay

  • A Brighter Tomorrow(2023)

    Screenplay · Story

    Midcredits score: 70th percentile of all films

  • Three Floors(2021)

    Screenplay

    Midcredits score: 58th percentile of all films

  • Lucia's Grace (not in the MovieCove catalog yet)(2018)

    Screenplay

  • Onda su onda (not in the MovieCove catalog yet)(2016)

    Screenplay

  • I Killed Napoleon (not in the MovieCove catalog yet)(2015)

    Writer

  • A Boss in the Living Room(2014)

    Story

    Midcredits score: 29th percentile of all films

  • A Magnificent Haunting(2012)

    Screenplay · Story

    Midcredits score: 68th percentile of all films

  • One Day More(2011)

    Screenplay · Story

    Midcredits score: 47th percentile of all films

  • We Have a Pope(2011)

    Screenplay · Story

    Midcredits score: 70th percentile of all films

  • Ten Winters (not in the MovieCove catalog yet)(2009)

    Screenplay · Writer

  • Meno male che ci sei (not in the MovieCove catalog yet)(2009)

    Screenplay

  • The White Space (not in the MovieCove catalog yet)(2009)

    Writer

  • Generazione 1000 euro (not in the MovieCove catalog yet)(2009)

    Screenplay

  • Giulia Doesn't Date at Night (not in the MovieCove catalog yet)(2009)

    Screenplay · Story · as Stuart negresco

  • Days and Clouds (not in the MovieCove catalog yet)(2007)

    Screenplay

  • The Caiman (not in the MovieCove catalog yet)(2006)

    Screenplay

  • Quore (not in the MovieCove catalog yet)(2002)

    Director · Writer

  • Les Italiens (not in the MovieCove catalog yet)

    Screenplay

Career shape

A full career of 20 titles, 18 of them dated from 2002 to 2024.

Biggest box office

We Have a Pope (2011)

$18M worldwide

Highest rated

We Have a Pope (2011)

Midcredits 70th

Most popular right now

A Brighter Tomorrow (2023)

Film career

  • 2009Screen debut· Giulia Doesn't Date at Night

By role

only this rolewith another role
Acting1 of 20: 0 only acting, 1 with another roleDirecting1 of 20: 0 only directing, 1 with another roleWriting20 of 20: 18 only writing, 2 with another role · typical Midcredits score63rd

By decade

2000s8 · 1 acting · 8 crew2010s7 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Federica Pontremoli's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 6

Approval · how many liked their films

61stpercentile
Typical film, the median of 6

Reach · how many have seen their films

77thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

None of their 6 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed2

Most loved · writer

We Have a Pope (2011)

Midcredits 70th · 61% liked

Reviewers score the dialogue 55/100 and the plot and story 47/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Federica Pontremoli work with?

People who share at least 2 of Federica Pontremoli's MovieCove titles, grouped by what they did on them; Margherita Buy shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers