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Jonathan Montepare

Jonathan Montepare

Producer · Born December 9, 1980 (45) · Williamstown, Massachusetts, USA

Jonathan Montepare was born on 9 December 1980 in Williamstown, Massachusetts, USA. He is a producer and production manager, known for May December (2023), Roofman (2025) and Bones and All (2022).

Biography from IMDb.

Born
December 9, 1980 (45)
From
Williamstown, Massachusetts, USA
Works as
Producer
Titles
23 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 32% in 30 days

What are Jonathan Montepare's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama11 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Comedy6 titlesTypical Midcredits score: 55th percentile
: browse their Comedy movies
Biography2 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
32%
Self
25%
Morality
14%
Survival
13%
Society
8%
Ideas
4%
Power
3%
Identity7 titles, browse their movies with this themeFamily bonds7 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeFaith2 titles, browse their movies with this theme

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 7 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 16 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 11 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 15 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 5 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 12 · Even-paced 10 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 10 · Engaged 7 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 2 · Affecting 10 · Heavy 10

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 12 · Open-ended 5 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
14
Hopeful
8
Bittersweet
6
Romantic
5
Other
19

How their films linger

Bittersweet11 titles, browse their movies with this aftertasteThought-provoking9 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet14
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan Montepare's films?

As of October 24, 2026, 22 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Jonathan Montepare's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 23 with a MovieCove page.

  • Roofman(2025)

    Executive Producer · Unit Production Manager

    Midcredits score: 80th percentile of all films

  • O'Dessa(2025)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • May December(2023)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Maybe I Do(2023)

    Executive Producer · Unit Production Manager

    Midcredits score: 17th percentile of all films

  • Bones and All(2022)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Topside(2020)

    Producer

    Midcredits score: 55th percentile of all films

  • All Together Now(2020)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • All Day and a Night(2020)

    Producer

    Midcredits score: 53rd percentile of all films

  • Night Comes On(2018)

    Producer

    Midcredits score: 72nd percentile of all films

  • The Miseducation of Cameron Post(2018)

    Producer

    Midcredits score: 71st percentile of all films

  • Come Sunday(2018)

    Producer

    Midcredits score: 48th percentile of all films

  • The After Party(2018)

    Producer

    Midcredits score: 37th percentile of all films

  • Patti Cake$(2017)

    Producer

    Midcredits score: 70th percentile of all films

  • Complete Unknown(2016)

    Producer

    Midcredits score: 23rd percentile of all films

  • Little Men(2016)

    Co-Producer

    Midcredits score: 73rd percentile of all films

  • Exposed(2016)

    Line Producer

    Midcredits score: 5th percentile of all films

  • The Backup Dancer(2016)

    Producer

    Midcredits score: 45th percentile of all films

  • Appropriate Behavior(2014)

    Line Producer

    Midcredits score: 65th percentile of all films

  • Shelter(2014)

    Producer

    Midcredits score: 55th percentile of all films

  • Kiss of the Damned(2012)

    Co-Producer

    Midcredits score: 28th percentile of all films

  • Surrogates(2009)

    Producer's Assistant

    Midcredits score: 45th percentile of all films

  • Prisoner(2007)

    Producer

    Midcredits score: 37th percentile of all films

  • Z Channel: A Magnificent Obsession(2004)

    Associate Producer

    Midcredits score: 92nd percentile of all films

  • De Noche (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 17 titles, 16 of them dated from 2004 to 2025.

Biggest box office

Roofman (2025)

$35M worldwide

Highest rated

Z Channel: A Magnificent Obsession (2004)

Midcredits 92nd

Most popular right now

Roofman (2025)

By role

only this rolewith another role
Producing17 of 17: 15 only producing, 2 with another role · typical Midcredits score67thOther crew2 of 17: 0 only other crew, 2 with another role

By decade

2000s2 · crew2010s7 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jonathan Montepare's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 23; across their 22 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 22

Approval · how many liked their films

58thpercentile
Typical film, the median of 22

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 22

Midcredits score across 23 titles, by percentile

  • 75th and up3
  • 50th to 74th10
  • 25th to 49th7
  • Below 25th3

Shape of the crowd

9 of their 23 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed9

Most divisive · producer

O'Dessa (2025)

90th percentile spread · 28% rated it 4 or lower

Most loved · producer

Z Channel: A Magnificent Obsession (2004)

Midcredits 92nd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan Montepare's work okay for kids?

Across up to 14 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles6–81 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity14 titles26–60 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity9 titles33–81 · median 53 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles30–49 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles29–71 · median 41 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jonathan Montepare work with?

People who share at least 2 of Jonathan Montepare's MovieCove titles, grouped by what they did on them; Katie Mustard shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers