Heike Parplies
Editor · Born January 1, 1971 (55) · Germany
- January 1, 1971 (55)
- Germany
- Editor
- 11 on MovieCove · 23 credits in all
What are Heike Parplies' films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
A split, not a type: Light 2 · Serious 4 · Dark 5
Grounded 7 · Stylized 3 · Heightened 1
Gentle 1 · Charged 8 · Intense 2
Steady 7 · Shifting 3 · Whiplash 1
Straight-faced 8 · Some laughs 0 · Funny 3
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 8 · Full focus 1
Easy watch 1 · Affecting 5 · Heavy 5
Resolved 6 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet7
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Heike Parplies' films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Heike Parplies' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Rosebush Pruning(2026)
Midcredits score: 16th percentile of all films
Paternal Leave(2025)
Midcredits score: 73rd percentile of all films
Firebrand(2023)
Midcredits score: 51st percentile of all films
No One's with the Calves (not in the MovieCove catalog yet)(2022)

Toubab(2021)
Midcredits score: 66th percentile of all films
#heuldoch - Therapie wie noch nie (not in the MovieCove catalog yet)(2020)

Kiss Me Kosher(2020)
Midcredits score: 41st percentile of all films
Invisible Life(2019)
Midcredits score: 97th percentile of all films
Maradona's Legs (not in the MovieCove catalog yet)(2019)

Volcano (not in the MovieCove catalog yet)(2018)

Paradise 89 (not in the MovieCove catalog yet)(2018)

Ostfriesenkrimis (not in the MovieCove catalog yet)(2017)

Toni Erdmann(2016)
Midcredits score: 91st percentile of all films
Meine Tochter Anne Frank (not in the MovieCove catalog yet)(2015)

Better than Nothing (not in the MovieCove catalog yet)(2014)

Der Rücktritt(2014)
Midcredits score: 22nd percentile of all films (provisional, few ratings)
Some Like It Happy (not in the MovieCove catalog yet)(2012)
Totem (not in the MovieCove catalog yet)(2012)

Carl & Bertha(2011)
Midcredits score: 68th percentile of all films
Eichmanns Ende (not in the MovieCove catalog yet)(2010)

Everyone Else(2009)
Midcredits score: 72nd percentile of all filmsDie Überflüssigen (not in the MovieCove catalog yet)(2007)

The Forest for the Trees(2003)
Midcredits score: 87th percentile of all films
Career shape
A full career of 22 titles from 2004 to 2026.

Biggest box office
Toni Erdmann (2016)

Highest rated
Invisible Life (2019)

Most popular right now
Rosebush Pruning (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Heike Parplies' films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up3
- 50th to 74th5
- 25th to 49th1
- Below 25th2
Shape of the crowd
6 of their 11 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 41/100 in their films, across 7 reviewed titles; fans 49, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Heike Parplies' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Heike Parplies work with?
People who share at least 2 of Heike Parplies' MovieCove titles, grouped by what they did on them; Karim Aïnouz shares the most, 3.
Directors
- Karim AïnouzShared titles: Rosebush Pruning (2026), Firebrand (2023), Invisible Life (2019)See all 3 shared titles with Karim Aïnouz

- Maren AdeShared titles: Toni Erdmann (2016), Everyone Else (2009), The Forest for the Trees (2003)See all 3 shared titles with Maren Ade

Actors
- Hans-Jochen WagnerShared titles: Der Rücktritt (2014), Everyone Else (2009)See all 2 shared titles with Hans-Jochen Wagner

Cinematographers
- Hélène LouvartShared titles: Rosebush Pruning (2026), Firebrand (2023), Invisible Life (2019)See all 3 shared titles with Hélène Louvart

Producers
- Cécile Tollu-PolonowskiShared titles: Rosebush Pruning (2026), Paternal Leave (2025), Invisible Life (2019)See all 3 shared titles with Cécile Tollu-Polonowski
- Michael WeberShared titles: Rosebush Pruning (2026), Paternal Leave (2025), Invisible Life (2019)See all 3 shared titles with Michael Weber

- Viola FügenShared titles: Rosebush Pruning (2026), Paternal Leave (2025), Invisible Life (2019)See all 3 shared titles with Viola Fügen

- Janine JackowskiShared titles: Toni Erdmann (2016), Everyone Else (2009), The Forest for the Trees (2003)See all 3 shared titles with Janine Jackowski
