- Producer and writer
- 4 on MovieCove
What are José Luis de Celis' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José Luis de Celis' films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for José Luis de Celis' titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Macario(1960)
Midcredits score: 99th percentile of all films
Midcredits score: 75th percentile of all films
Midcredits score: 21st percentile of all films (provisional, few ratings)
Puerto de tentación(1951)
Midcredits score: 26th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 4 MovieCove titles from 1951 to 1960.
How do José Luis de Celis' films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up2
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does José Luis de Celis work with?
People who share at least 2 of José Luis de Celis' MovieCove titles, grouped by what they did on them; Ignacio López Tarso shares the most, 2.
Actors
- Ignacio López TarsoShared titles: Macario (1960), The Soldiers of Pancho Villa (1959)See all 2 shared titles with Ignacio López Tarso
- Gloria RíosShared titles: La locura del rock and roll (1957), Puerto de tentación (1951)See all 2 shared titles with Gloria Ríos
Composers, cinematographers and editors
- Gabriel FigueroaShared titles: Macario (1960), The Soldiers of Pancho Villa (1959)See all 2 shared titles with Gabriel Figueroa
- Raúl LavistaShared titles: Macario (1960), The Soldiers of Pancho Villa (1959)See all 2 shared titles with Raúl Lavista
- Fernando MartínezShared titles: The Soldiers of Pancho Villa (1959), La locura del rock and roll (1957)See all 2 shared titles with Fernando Martínez