Claire L. Chandler

What are Claire L. Chandler's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Claire L. Chandler's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

• Prime Video3 titles, browse their movies on this service
  • By Sidney Lumet (2015) · producer
  • The Rape of Recy Taylor (2017) · producer
  • A Crime on the Bayou (2020) · producer
• Tubi3 titles, browse their movies on this service
  • The Rape of Recy Taylor (2017) · producer · free
  • Father's Kingdom (2017) · producer, editor · free
  • The Yes Men Are Revolting (2014) · producer, editor · free
• The Roku Channel2 titles, browse their movies on this service
  • The Yes Men Are Revolting (2014) · producer, editor · free
  • A Crime on the Bayou (2020) · producer · free

Subscription and free streaming for Claire L. Chandler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Desperate Souls, Dark City and the Legend of Midnight Cowboy(2022)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  A Crime on the Bayou(2020)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  Father's Kingdom(2017)

  Editor · Producer

  Midcredits score: 74th percentile of all films (provisional, few ratings)~74^th
• 

  The Rape of Recy Taylor(2017)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  By Sidney Lumet(2015)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  The Yes Men Are Revolting(2014)

  Editor · Producer

  Midcredits score: 69th percentile of all films69^th
• 

  The Light in Her Eyes(2011)

  Producer

  Midcredits score: 73rd percentile of all films (provisional, few ratings)~73^rd

Career shape

Across their 7 MovieCove titles from 2011 to 2022.

Biggest box office

Desperate Souls, Dark City and the Legend of Midnight Cowboy (2022)

$55K worldwide

Highest rated

By Sidney Lumet (2015)

Midcredits 85^th

How do Claire L. Chandler's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 81^st percentile for acclaim.

Shape of the crowd

2 of their 7 titles are Cult Classics.

1222

• Divisive1
• Cult Classic2
• Crowd Pleaser2
• Mixed2

Most divisive · producer

The Light in Her Eyes (2011)

94^th percentile spread · 30% rated it 4 or lower

Most loved · producer

By Sidney Lumet (2015)

Midcredits 85^th · 75% liked

Reviewers score the pacing 41/100 in their films, across 5 reviewed titles; fans 49, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Claire L. Chandler work with?

People who share at least 2 of Claire L. Chandler's MovieCove titles, grouped by what they did on them; Nancy Buirski shares the most, 4.