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Luke Davies

Luke Davies

Writer, director and producer · Born January 1, 1962 (64) · Sydney, New South Wales, Australia

Luke Davies is an Australian writer of poetry, novels, and screenplays. His best known works are Candy: A Novel of Love and Addiction (which was adapted for the screen in 2006) and the screenplay for the film Lion (2016), which earned him a nomination for the Academy Award for Best Adapted Screenplay. Davies also co-wrote the screenplay for the 2020 film News of the World and the 2026 film Tenzing. Description above from the Wikipedia article Luke Davies, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 1, 1962 (64)
From
Sydney, New South Wales, Australia
Works as
Writer, director and producer
Titles
10 on MovieCove · 14 credits in all
TMDB popularity, last 38 days to Oct 27Up 9% in 30 days

What are Luke Davies' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 5

Grounded 9 · Stylized 0 · Heightened 0

A split, not a type: Gentle 2 · Charged 3 · Intense 4

Steady 3 · Shifting 6 · Whiplash 0

Straight-faced 8 · Some laughs 0 · Funny 1

A split, not a type: Slow burn 5 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 7 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 2 · Heavy 5

Resolved 6 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
8
Tense
8
Hopeful
4
Dread
3
Absurd
2
Other
6

How their films end · 1 with a twist

  • Happy2
  • Bittersweet5
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luke Davies' films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Subscription and free streaming for Luke Davies' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 10 with a MovieCove page.

  • Tenzing(2026)

    Producer · Screenplay · Story

    Midcredits score: 97th percentile of all films
  • Phallacy (not in the MovieCove catalog yet)(2021)

    Director · Writer

  • News of the World(2020)

    Screenplay

    Midcredits score: 76th percentile of all films
  • Angel of Mine(2019)

    Executive Producer · Writer

    Midcredits score: 56th percentile of all films
  • Catch-22(2019)

    Show 6 episodes · Creator · Executive Producer · Writer

    Midcredits score: 81st percentile of all shows
  • Beautiful Boy(2018)

    Screenplay

    Midcredits score: 95th percentile of all films
  • Lion(2016)

    Screenplay

    Midcredits score: 99th percentile of all films
  • Life(2015)

    Writer

    Midcredits score: 42nd percentile of all films
  • Unleaded (not in the MovieCove catalog yet)(2015)

    Director · Editor · Writer

  • Reclaim(2014)

    Writer

    Midcredits score: 14th percentile of all films
  • Florence Has Left the Building (not in the MovieCove catalog yet)(2014)

    Thanks

  • Heroes & Demons(2012)

    Director · Writer

    Midcredits score: 12th percentile of all films (provisional, few ratings)
  • Air (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • Candy(2006)

    Novel · Screenplay · as Milkman

    Midcredits score: 88th percentile of all films

Career shape

A full career of 14 titles from 2006 to 2026.

Film career

By role

only this rolewith another role
Acting1 of 14: 0 only acting, 1 with another roleDirecting4 of 14: 0 only directing, 4 with another roleWriting13 of 14: 5 only writing, 8 with another role · typical Midcredits score79thProducing3 of 14: 0 only producing, 3 with another roleEditing1 of 14: 0 only editing, 1 with another roleOther crew2 of 14: 1 only other crew, 1 with another role

14 titles, 8 with more than one role — writing and directing overlap on 4 of them.

By decade

2000s1 · 1 acting · 1 crew2010s10 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luke Davies' films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 9

Approval · how many liked their films

76thpercentile
Typical film, the median of 9

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up6
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

4 of their 10 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed2

Reviewers score the dialogue 54/100 and the plot and story 47/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Luke Davies' work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles22–70 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles26–66 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles21–80 · median 64 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles29–96 · median 54 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles36–81 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Luke Davies work with?

People who share at least 2 of Luke Davies' MovieCove titles, grouped by what they did on them; Emile Sherman shares the most, 4.

Producers