- Editor, also producer
- 8 on MovieCove · 14 credits in all
What are Donna Mathewson's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
Light 5 · Serious 1 · Dark 2
A split, not a type: Grounded 5 · Stylized 3 · Heightened 0
Gentle 2 · Charged 6 · Intense 0
Steady 3 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 4
Slow burn 4 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 2
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Donna Mathewson's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Donna Mathewson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 8 with a MovieCove page.

A Very Sordid Wedding(2017)
Midcredits score: 57th percentile of all films
Del Shores: Naked. Sordid. Reality. (not in the MovieCove catalog yet)(2014)

Pretty Rosebud(2014)
Midcredits score: 41st percentile of all films
Real Heroes(2014)
Midcredits score: 47th percentile of all films (provisional, few ratings)
Southern Baptist Sissies(2013)
Midcredits score: 79th percentile of all films
Good Satan (not in the MovieCove catalog yet)(2012)

Love or Whatever(2012)
Midcredits score: 37th percentile of all films
The Stray(2012)
Midcredits score: 18th percentile of all films
Harley's Hill (not in the MovieCove catalog yet)(2011)

Seeker & Fetch (not in the MovieCove catalog yet)(2011)

You Should Meet My Son!(2010)
Midcredits score: 71st percentile of all films
Holding Trevor(2007)
Midcredits score: 21st percentile of all films
The Pleasure Drivers (not in the MovieCove catalog yet)(2006)
Before Dawn Breaks (not in the MovieCove catalog yet)
Career shape
A full career of 9 titles, 8 of them dated from 2006 to 2017.

Biggest box office
Southern Baptist Sissies (2013)

Highest rated
You Should Meet My Son! (2010)

Most popular right now
A Very Sordid Wedding (2017)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Donna Mathewson's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 8 titles are Mixed.
- Loved with Detractors1
- Divisive2
- Crowd Pleaser1
- Mixed4
Reviewers score the pacing 45/100 in their films, across 6 reviewed titles; fans 58, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Donna Mathewson work with?
People who share at least 2 of Donna Mathewson's MovieCove titles, grouped by what they did on them; Del Shores shares the most, 2.
Directors
- Del ShoresShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Del Shores

- Keith HartmanShared titles: Real Heroes (2014), You Should Meet My Son! (2010)See all 2 shared titles with Keith Hartman
- Rosser GoodmanShared titles: Love or Whatever (2012), Holding Trevor (2007)See all 2 shared titles with Rosser Goodman

Actors
- Dale DickeyShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Dale Dickey

- Leslie JordanShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Leslie Jordan

- Newell AlexanderShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Newell Alexander

- Rosemary AlexanderShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Rosemary Alexander

Composers and editors
- Joe Patrick WardShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Joe Patrick Ward

- Taylor NidaShared titles: Real Heroes (2014), You Should Meet My Son! (2010)See all 2 shared titles with Taylor Nida
Producers
- Emerson CollinsShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Emerson Collins

- John C. PaffordShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with John C. Pafford
- Louise BeardShared titles: A Very Sordid Wedding (2017), Southern Baptist Sissies (2013)See all 2 shared titles with Louise Beard

- Gio MessaleShared titles: Real Heroes (2014), Love or Whatever (2012)See all 2 shared titles with Gio Messale
