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Motif

What are Mike Thomas' films like?

Across their 5 Motif titles with a thematic analysis, their films lean Morality and Survival.

Genres

Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
48%
Survival
29%
Self
11%
Bonds
6%
Ideas
6%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 4 · Intense 1

Steady 0 · Shifting 5 · Whiplash 0

Straight-faced 2 · Some laughs 3 · Funny 0

Slow burn 1 · Even-paced 4 · Relentless 0

A split, not a type: Casual 3 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
2
Absurd
2
Melancholic
2
Bittersweet
1
Other
1

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mike Thomas' films?

As of October 24, 2026, all 5 Motif titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Mike Thomas' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a Motif page.

  • Midcredits score: 9th percentile of all films
  • Truth(2006)

    Composer

    Midcredits score: 32nd percentile of all films
  • Veiled Truth(2006)

    Composer

    Midcredits score: 26th percentile of all films
  • What Lies Above(2004)

    Composer

    Midcredits score: 7th percentile of all films
  • Killer Bees(2002)

    Composer

    Midcredits score: 2nd percentile of all films

Career shape

Across their 5 Motif titles from 2002 to 2024.

By role

only this rolewith another role
Music5 of 5: 5 only music, 0 with another role · typical Midcredits score9th

By decade

2000s4 · crew2020s1 · crew

Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Mike Thomas' films land?

Their typical Motif film has a Midcredits score in the 9th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 5

Approval · how many liked their films

6thpercentile
Typical film, the median of 5

Reach · how many have seen their films

39thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th2
  • Below 25th3

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mike Thomas work with?

People who share at least 2 of Mike Thomas' Motif titles, grouped by what they did on them; Kirk Shaw shares the most, 5.

Composers and cinematographers

Producers