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Michaël R. Roskam

Michaël R. Roskam

Director, writer and producer · Born October 9, 1972 (54) · Belgium

As a (very) young man Michael R. Roskam was passionate about graphic novels, comic-strips and cinema. Inspired by the great Belgian tradition of comic-strip artists like Hergé, he decided to become a comic-strip artist himself and went to St-Lucas Academy of Fine Arts in Brussels. There he discovered painting and contemporary art. He graduated but also got involved into writing fiction - meanwhile keeping his passion for the image alive by drawing and experimenting with video. After several jobs as a journalist (@ De Morgen, newspaper) and a copywriter (@ Saatchi&Saatchi, advertising), he wrote a script for a short film. By directing this himself he returned to the roots of his creative urge: cinema. The result was his first short movie: "HAUN". He finally found out what he'd always been looking for: movement. Since then he worked as a moviemaker. "CARLO" (prod. CCCP), his second short, won several prizes at national and international festivals and was shown on different tv-channels and movie theatres in Europe. His third short "THE ONE THING TO DO" (prod. CCCP) premiered in December 2005 at the Leuven International Shortfilm Festival were the film won the Audience Award. In November 2007 he went to L.A. to shoot TODAY IS FRIDAY (prod. SAVAGE FILM/M. ROSKAM), a short film based on an Ernest Hemingway story.

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Biography from TMDB.

Born
October 9, 1972 (54)
From
Belgium
Works as
Director, writer and producer
Titles
5 on Motif · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 19% in 30 days

What are Michaël R. Roskam's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 1 · Intense 3

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 0 · Heavy 4

Resolved 0 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
3
Dread
2
Cold
2
Romantic
1

How their films end · 1 with a twist

  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michaël R. Roskam's films?

As of October 24, 2026, 3 of their 5 Motif titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Michaël R. Roskam's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 5 with a Motif page.

  • Le Faux Soir (not in the Motif catalog yet)(2026)

    Director · Producer · Writer

  • Black Bird(2022)

    Show 6 episodes · Director · Executive Producer

    Midcredits score: 96th percentile of all shows
  • Lockdown (not in the Motif catalog yet)(2021)

    Show 1 episode · Director

  • Een verkeerde toekomst (not in the Motif catalog yet)(2019)

    Director

  • Racer and the Jailbird(2017)

    Director · Writer

    Midcredits score: 47th percentile of all films
  • The Ardennes(2015)

    Producer

    Midcredits score: 68th percentile of all films
  • The Drop(2014)

    Director

    Midcredits score: 83rd percentile of all films
  • Bullhead(2011)

    Director · Writer

    Midcredits score: 89th percentile of all films
  • The One Thing to Do (not in the Motif catalog yet)(2005)

    Director

  • Carlo (not in the Motif catalog yet)(2004)

    Director · Screenplay · as Narrator

  • Haun! (not in the Motif catalog yet)(2002)

    Director

  • Untitled Sylvia Kristel Biopic (not in the Motif catalog yet)

    Director

Career shape

A full career of 11 titles, 9 of them dated from 2002 to 2022.

By role

only this rolewith another role
Acting1 of 11: 0 only acting, 1 with another roleDirecting11 of 11: 6 only directing, 5 with another roleWriting4 of 11: 0 only writing, 4 with another roleProducing2 of 11: 0 only producing, 2 with another role

11 titles, 5 with more than one role — directing and writing overlap on 4 of them.

By decade

2000s3 · 1 acting · 3 crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Michaël R. Roskam's films land?

Their typical Motif film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 4

Approval · how many liked their films

78thpercentile
Typical film, the median of 4

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4

Reviewers score the atmosphere 76/100 and the pacing 43/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michaël R. Roskam's work okay for kids?

Across a limited sample of up to 3 Motif titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 54 · moderateMedian of all films: 32
Profanity3 titlesmedian 68 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Michaël R. Roskam work with?

People who share at least 2 of Michaël R. Roskam's Motif titles, grouped by what they did on them; Matthias Schoenaerts shares the most, 3.

Actors

Composers, cinematographers and editors

Producers