Wendy Apple was an editor and production manager, known for The Cutting Edge: The Magic of Movie Editing (2004), Appearing Nitely (1979) and Emily @ the Edge of Chaos (2021). She died on 5 May 2017 in New York, USA.
Biography from TMDB.
- May 5, 2017
- Director and producer
- 3 on MovieCove · 8 credits in all
What are Wendy Apple's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Society.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 3 · Charged 0 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wendy Apple's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on STARZ (1).
Subscription and free streaming for Wendy Apple's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Midcredits score: 61st percentile of all films (provisional, few ratings)
Midcredits score: 93rd percentile of all films
Appearing Nitely (not in the MovieCove catalog yet)(1979)
Sitcom: The Adventures of Garry Marshall (not in the MovieCove catalog yet)(1979)
Super Bowl(1976)
Midcredits score: 69th percentile of all films (provisional, few ratings)
The Lord of the Universe (not in the MovieCove catalog yet)(1974)
Lialeh (not in the MovieCove catalog yet)(1974)
Pound (not in the MovieCove catalog yet)(1970)
Career shape
A full career of 7 titles from 1970 to 2021.
How do Wendy Apple's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 82nd percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Divisive1
- Cult Classic1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Wendy Apple work with?
People who share at least 2 of Wendy Apple's MovieCove titles; Patricia Bischetti shares the most, 2.
- Patricia BischettiShared titles: Emily @ the Edge of Chaos (2021), The Cutting Edge: The Magic of Movie Editing (2004)See all 2 shared titles with Patricia Bischetti