Javier Limón

What are Javier Limón's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Javier Limón's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • Gold (2017) · composer · free

Subscription and free streaming for Javier Limón's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

• 

  Alegría(2021)

  Composer

  Midcredits score: 26th percentile of all films (provisional, few ratings)~26^th
• 

  Everybody Knows(2018)

  Composer · Songs

  Midcredits score: 75th percentile of all films75^th
• 

  Gold(2017)

  Composer

  Midcredits score: 30th percentile of all films30^th
• 

  Ismael(2013)

  Composer

  Midcredits score: 55th percentile of all films55^th
• 

  Walking Vengeance(2008)

  Composer

  Midcredits score: 39th percentile of all films39^th
• 

  A Matador's Mistress (not in the MovieCove catalog yet)(2008)

  Composer
• 

  Black and White: Bebo & Cigala Live (not in the MovieCove catalog yet)(2003)

  Music Producer

Career shape

A full career of 6 titles from 2003 to 2018.

Biggest box office

Everybody Knows (2018)

$20M worldwide

Highest rated

Everybody Knows (2018)

Midcredits 75^th

How do Javier Limón's films land?

Their typical MovieCove film has a Midcredits score in the 39^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Mixed.

23

• Crowd Pleaser2
• Mixed3

Most divisive · composer

Walking Vengeance (2008)

65^th percentile spread · 26% rated it 4 or lower

Most loved · composer

Everybody Knows (2018)

Midcredits 75^th · 68% liked

Reviewers score the sound and music 65/100 in their films, across 3 reviewed titles. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Javier Limón work with?

People who share at least 2 of Javier Limón's MovieCove titles, grouped by what they did on them; Agustín Díaz Yanes shares the most, 2.