Mitsuo Kondō
- Editor
- 3 on MovieCove
What are Mitsuo Kondō's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 3 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1
Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mitsuo Kondō's films?
As of October 27, 2026, none of Mitsuo Kondō's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Mitsuo Kondō's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
The Story of Hachikō(1987)
Midcredits score: 97th percentile of all films
Midcredits score: 81st percentile of all films
Midcredits score: 44th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1972 to 1987.
How do Mitsuo Kondō's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 80th percentile for acclaim.
- 75th and up2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mitsuo Kondō work with?
People who share at least 2 of Mitsuo Kondō's MovieCove titles; Kaneto Shindō shares the most, 3.
- Kaneto ShindōShared titles: The Story of Hachikō (1987), Kenji Mizoguchi: The Life of a Film Director (1975), Rika: The Mixed-Blood Girl (1972)See all 3 shared titles with Kaneto Shindō
