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Nick Foster

Nick Foster

Composer · Lewisham, London, England, UK

2 BAFTA Awards

Foster's work includes Kayleigh Llewellyn's In My Skin (BBC), which won Best Drama at both the BAFTAS and the RTS Awards, Coky Giedroyc's feature musical based on the songs of Take That, Greatest Days, All or Nothing: Arsenal and ITV's animated family adventure series co-produced with Weta, Thunderbirds Are Go (written with his brother Ben Foster), for which they were nominated for a Bafta in 2016. He has scored all of Derren Brown’s recent TV specials. His music also features in the Ryan Gosling / Michelle Williams film Blue Valentine, and in Raoul Martinez and Joshua Van Praag's Creating Freedom: Lottery of Birth, nominated for Best Documentary at the Raindance Film Festival. In film, Foster has scored Sam Hobkinson’s feature documentary Misha and the Wolves, which premiered at Sundance in 2021. Previously, his work was featured in Ryan Gosling's Blue Valentine and Creating Freedom - Lottery of Birth. He also works as a composer of music for commercials; in this field, his work has won numerous awards for original compositions including D&AD, Clio, Craft and MAS. He has worked with directors including Jonathan Glazer, Joachim Back, Wim Wenders and Nick Gordon. Other TV work includes scores for entertainment shows including The Cube, Bigheads and Penn & Teller: Fool Us. He has also been involved in various music education initiatives, most recently Bafta Kids' Big School Day, held at Alexandra Palace. Silva Screen Records has to date released two volumes of Nick & Ben Foster's score for Thunderbirds Are Go, performed by the City of Prague Symphony Orchestra.

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Biography from TMDB.

From
Lewisham, London, England, UK
Works as
Composer
Titles
24 on MovieCove · 28 credits in all

What are Nick Foster's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 7

Grounded 6 · Stylized 4 · Heightened 0

A split, not a type: Gentle 2 · Charged 3 · Intense 5

Steady 2 · Shifting 5 · Whiplash 3

Straight-faced 7 · Some laughs 1 · Funny 2

Slow burn 2 · Even-paced 7 · Relentless 1

Casual 3 · Engaged 6 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 3 · Heavy 5

Resolved 7 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Contemplative
8
Dread
5
Joyful
4
Melancholic
4
Other
15

How their films end · 5 with a twist

  • Happy4
  • Bittersweet10
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nick Foster's films?

As of October 24, 2026, 21 of their 24 MovieCove titles stream on a subscription or free service, most on Netflix (9).

Subscription and free streaming for Nick Foster's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 24 with a MovieCove page.

Career shape

A full career of 17 titles from 2013 to 2026.

By role

only this rolewith another role
Acting1 of 17: 1 only acting, 0 with another roleMusic15 of 17: 15 only music, 0 with another role · typical Midcredits score72ndOther crew1 of 17: 1 only other crew, 0 with another role

By decade

2010s6 · 1 acting · 5 crew2020s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 BAFTA Awards from 2 major nominations, 2010–2013.

  1. 2013
    • BAFTA Award, won · Best Entertainment Craft Team
  2. 2010
    • BAFTA Award, won

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Nick Foster's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 10

Approval · how many liked their films

69thpercentile
Typical film, the median of 10

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 10

Midcredits score across 24 titles, by percentile

  • 75th and up7
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th2

Reviewers score the sound and music 54/100 in their films, across 6 reviewed titles; fans 62, detractors 26. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nick Foster's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 7 · minimalMedian of all films: 32
Profanity4 titlesmedian 52 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 27 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 80 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Nick Foster work with?

People who share at least 2 of Nick Foster's MovieCove titles, grouped by what they did on them; Oli Julian shares the most, 5.

Directors

Writers

Composers and editors

Producers