Skip to content
Motif
Hank Starrs

Hank Starrs

Producer

Hank Starrs has been an independent producer for over two decades and has produced a variety of documentary films, including Elstree 1976, Being Frank: The Chris Sievey Story, Hollywood Bulldogs: The Rise and Falls of the Great British Stuntman, Hollywood Dreams & Nightmares: The Robert Englund Story. Episodic factual series include, Reel Britannia: A Modern History of British Cinema and RoboDoc: The Creation of RoboCop. Previously a professional musician for 20 years, Hank is based in London, England.

Read more

Biography from IMDb.

Works as
Producer
Titles
8 on Motif

What are Hank Starrs' films like?

Across their 8 Motif titles with a thematic analysis, their films lean Society and Self.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 1 · Dark 0

Grounded 7 · Stylized 0 · Heightened 1

Gentle 7 · Charged 1 · Intense 0

Steady 8 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 5 · Funny 0

Slow burn 7 · Even-paced 1 · Relentless 0

Casual 6 · Engaged 2 · Full focus 0

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Contemplative
5
Melancholic
3
Joyful
3
Hopeful
3
Other
1

How their films end

  • Happy1
  • Bittersweet6
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hank Starrs' films?

As of October 24, 2026, 7 of their 8 Motif titles stream on a subscription or free service.

Subscription and free streaming for Hank Starrs' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a Motif page.

Career shape

Across their 8 Motif titles from 2015 to 2025.

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score89th

By decade

2010s3 · crew2020s5 · crew

Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Hank Starrs' films land?

Their typical Motif film has a Midcredits score in the 89th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 8

Approval · how many liked their films

88thpercentile
Typical film, the median of 8

Reach · how many have seen their films

60thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up6
  • 50th to 74th1
  • 25th to 49th1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hank Starrs work with?

People who share at least 2 of Hank Starrs' Motif titles, grouped by what they did on them; Christopher Griffiths shares the most, 3.

Directors

Composers

Producers