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Anna Wendt

Producer

Works as
Producer
Titles
3 on MovieCove

What are Anna Wendt's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
42%
Survival
31%
Bonds
19%
Society
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 2 · Stylized 1 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1

Casual 1 · Engaged 1 · Full focus 1

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Bittersweet
2
Tense
1
Warm
1
Dread
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Wendt's films?

As of October 24, 2026, none of Anna Wendt's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Anna Wendt's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Rocket Perelman(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • Schultersieg(2016)

    Producer

    Midcredits score: 90th percentile of all films (provisional, few ratings)
  • Wir sind die Flut(2016)

    Producer

    Midcredits score: 39th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2016 to 2017.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Anna Wendt's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 3

Approval · how many liked their films

48thpercentile
Typical film, the median of 3

Reach · how many have seen their films

11thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Wendt work with?

People who share at least 2 of Anna Wendt's MovieCove titles; Fabian Winkelmann shares the most, 3.