Skip to content
MovieCove
Angel Gamboa Bryant

Angel Gamboa Bryant

Editor

Primetime Emmy nominee

Angel Gamboa Bryant is a five-time Emmy-nominated television & feature film editor with two decades of industry experience. Most recently, she edited the Hulu sketch series History of the World, Part II, starring Mel Brooks, Ike Barinholtz, Wanda Sykes, and Nick Kroll; as well as the Netflix sitcom The Upshaws. In 2023, she was Emmy-nominated for the first time, scoring three Primetime Emmy nominations, including one Emmy nomination for History of the World Part II for Outstanding Picture Editing for Variety Programming, and two Emmy nominations for The Upshaws for Outstanding Picture Editing for a Multi-Camera Comedy Series. Angel also has an impressive resume editing stand-up comedy specials for some of today's most acclaimed comedians, including the Netflix specials: Wanda Sykes: Not Normal; Tiffany Haddish: Black Mitzvah; Ms. Pat: Y'all Wanna Hear Something Crazy; and Stand Out: An LGBTQ+ Celebration, to name just a few.

Read more

Biography from IMDb.

Works as
Editor
Titles
19 on MovieCove

What are Angel Gamboa Bryant's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 1

Grounded 5 · Stylized 3 · Heightened 0

Gentle 4 · Charged 4 · Intense 0

Steady 5 · Shifting 2 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 5

Slow burn 3 · Even-paced 5 · Relentless 0

Casual 6 · Engaged 0 · Full focus 2

Resolved 6 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
13
Tense
3
Warm
5
Absurd
4
Contemplative
3
Other
10

How their films end · 2 with a twist

  • Happy6
  • Bittersweet3
  • Ambiguous6
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Angel Gamboa Bryant's films?

As of October 24, 2026, 16 of their 19 MovieCove titles stream on a subscription or free service, most on Netflix (8).

Subscription and free streaming for Angel Gamboa Bryant's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 19 with a MovieCove page.

Career shape

A full career of 9 titles from 2004 to 2024.

By role

only this rolewith another role
Editing9 of 9: 8 only editing, 1 with another role · typical Midcredits score28thOther crew1 of 9: 0 only other crew, 1 with another role

By decade

2000s1 · crew2010s5 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

9 major nominations and no wins, 2023–2026.

  1. 2026
    • Primetime Emmy, nominated · Outstanding Picture Editing for a Multi-Camera Comedy Series
    • Primetime Emmy, nominated · Outstanding Picture Editing for Variety Programming
  2. 2025
    • Primetime Emmy, nominated ×2 · Outstanding Picture Editing for a Multi-Camera Comedy Series
  3. 2024
    • Primetime Emmy, nominated ×2 · Outstanding Picture Editing for a Multi-Camera Comedy Series
  4. 2023
    • Primetime Emmy, nominated ×2 · Outstanding Picture Editing for a Multi-Camera Comedy Series
    • Primetime Emmy, nominated · Outstanding Picture Editing for Variety Programming

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Angel Gamboa Bryant's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 8

Approval · how many liked their films

47thpercentile
Typical film, the median of 8

Reach · how many have seen their films

51stpercentile
Typical film, the median of 8

Midcredits score across 19 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th7

Reviewers score the pacing 40/100 in their films, across 5 reviewed titles; fans 57, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Angel Gamboa Bryant work with?

People who share at least 2 of Angel Gamboa Bryant's MovieCove titles, grouped by what they did on them; Page Hurwitz shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers