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Jermaine Stegall

Jermaine Stegall

Composer · Born July 22, 1977 (49) · Joliet, Illinois, USA

Born
July 22, 1977 (49)
From
Joliet, Illinois, USA
Works as
Composer
Titles
20 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 5% in 30 days

What are Jermaine Stegall's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Comedy3 titlesTypical Midcredits score: 24th percentile, at or above their average across these genres
: browse their Comedy movies
Horror3 titlesTypical Midcredits score: 8th percentile
: browse their Horror movies
Action2 titlesTypical Midcredits score: 8th percentile
: browse their Action movies
Animation2 titlesTypical Midcredits score: 29th percentile, at or above their average across these genres
: browse their Animation movies
Drama2 titlesTypical Midcredits score: 42nd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
24%
Self
24%
Morality
18%
Bonds
15%
Society
8%
Power
5%
Ideas
5%
Survival6 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 5 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 7 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 10 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 12 · Some laughs 2 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 12 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 8 · Full focus 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Dread
7
Hopeful
5
Joyful
3
Warm
4
Other
17

How their films linger

Unsettling7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy4
  • Bittersweet9
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jermaine Stegall's films?

As of October 24, 2026, 15 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Jermaine Stegall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 20 with a MovieCove page.

  • Oracle(2023)

    Composer

    Midcredits score: 14th percentile of all films

  • Praise This(2023)

    Composer

    Midcredits score: 61st percentile of all films

  • Senior Year(2022)

    Composer

    Midcredits score: 24th percentile of all films

  • We Will Be Monsters (not in the MovieCove catalog yet)(2021)

    Composer

  • Coming 2 America(2021)

    Composer

    Midcredits score: 21st percentile of all films

  • Canvas(2020)

    Composer

    Midcredits score: 51st percentile of all films

  • Proximity(2020)

    Composer

    Midcredits score: 43rd percentile of all films

  • Mono (not in the MovieCove catalog yet)(2016)

    Composer

  • American Street Kid(2016)

    Composer

    Midcredits score: 98th percentile of all films

  • Badge of Honor(2015)

    Composer

    Midcredits score: 14th percentile of all films

  • Night of the Living Dead: Darkest Dawn(2015)

    Composer

    Midcredits score: 7th percentile of all films

  • The Three Dogateers(2014)

    Composer

    Midcredits score: 6th percentile of all films

  • Jamesy Boy(2014)

    Composer

    Midcredits score: 55th percentile of all films

  • Scary Movie 5(2013)

    Orchestrator

    Midcredits score: 2nd percentile of all films

  • Rogue River(2011)

    Composer

    Midcredits score: 8th percentile of all films

  • Breathless(2012)

    Composer

    Midcredits score: 27th percentile of all films

  • Greetings to the Devil (not in the MovieCove catalog yet)(2011)

    Composer

  • Blood Out(2011)

    Composer

    Midcredits score: 12th percentile of all films

  • Escapee(2011)

    Composer

    Midcredits score: 3rd percentile of all films

  • Mandrake(2010)

    Composer

    Midcredits score: 3rd percentile of all films

  • Bloomington(2010)

    Composer

    Midcredits score: 41st percentile of all films

  • Gunfight at La Mesa(2010)

    Composer

    Midcredits score: 7th percentile of all films

  • Enigma (not in the MovieCove catalog yet)(2009)

    Composer · as Park People

  • 30 Days of Night: Blood Trails (not in the MovieCove catalog yet)(2007)

    Show 7 episodes · Composer

  • Secondary Effects(2006)

    Composer

    Midcredits score: 67th percentile of all films

Career shape

A full career of 21 titles from 2006 to 2023.

Highest rated

Secondary Effects (2006)

Midcredits 67th

Most popular right now

Coming 2 America (2021)

By role

only this rolewith another role
Acting1 of 21: 0 only acting, 1 with another roleMusic20 of 21: 19 only music, 1 with another role · typical Midcredits score21stOther crew1 of 21: 1 only other crew, 0 with another role

By decade

2000s3 · 1 acting · 3 crew2010s12 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jermaine Stegall's films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 20; across their 18 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 18

Approval · how many liked their films

16thpercentile
Typical film, the median of 18

Reach · how many have seen their films

65thpercentile
Typical film, the median of 18

Midcredits score across 20 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th12

Shape of the crowd

12 of their 20 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser2
  • Mixed12

Most divisive · composer

Gunfight at La Mesa (2010)

94th percentile spread · 67% rated it 4 or lower

Most loved · composer

American Street Kid (2016)

Midcredits 98th · 85% liked

Reviewers score the sound and music 49/100 in their films, across 14 reviewed titles; fans 69, detractors 31. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jermaine Stegall's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 16 · mildMedian of all films: 44
Sex & Nudity6 titles23–63 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 61 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jermaine Stegall work with?

People who share at least 2 of Jermaine Stegall's MovieCove titles, grouped by what they did on them; Bryan S. Sexton shares the most, 4.

Directors

Actors

Editors

Producers