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Fabian Gasmia

Fabian Gasmia

Producer · Born January 1, 1977 (49)

Fabian is an alumnus of Filmuniversität Babelsberg, Atelier Ludwigsburg-Paris, and ACE. He entered the international co-production arena with DETAiLFILM, co-producing numerous award-winning films that played at festivals worldwide and sold all around the globe, including "Personal Shopper" - which won Olivier Assayas Best Director in Cannes -, "L'Avenir" - which won Mia Hansen-Løve a Silver Bear as Best Director in Berlinale competition -, and Léos Carax' "Annette", which is opening Cannes 2021 in Official Competition. To further strengthen his reach throughout Europe, he started a joint-venture with Lars von Trier's Zentropa Entertainments in 2015 before initiating artist-led production house Seven Elephants in 2018. Fabian serves as vice president of the Franco-German film academy and board member of Berlin's film-school dffb. He teaches regularly at film schools and is a frequent guest speaker at international panels.

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Biography from IMDb.

Born
January 1, 1977 (49)
Works as
Producer
Titles
16 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 36% in 30 days

What are Fabian Gasmia's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama8 titlesTypical Midcredits score: 60th percentile
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 55th percentile
: browse their Comedy movies
Crime3 titlesTypical Midcredits score: 85th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
36%
Bonds
28%
Survival
14%
Morality
10%
Society
7%
Ideas
5%
Purpose6 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 5 · Dark 7

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 7 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 5 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 11 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 6 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 4 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
11
Melancholic
9
Tense
6
Dread
5
Hopeful
5
Other
8

How their films linger

Thought-provoking10 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet10
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fabian Gasmia's films?

As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Fabian Gasmia's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 16 with a MovieCove page.

  • Athos 2643 (not in the MovieCove catalog yet)(2027)

    Producer

  • What Lies Between Us(2026)

    Producer

    Midcredits score: 93rd percentile of all films

  • The Life of Wishes(2025)

    Producer

    Midcredits score: 17th percentile of all films

  • Treasure(2024)

    Producer

    Midcredits score: 55th percentile of all films

  • The Promised Land(2023)

    Co-Producer

    Midcredits score: 97th percentile of all films

  • Sun and Concrete (not in the MovieCove catalog yet)(2023)

    Producer

  • And Tomorrow the Entire World(2020)

    Producer

    Midcredits score: 56th percentile of all films

  • Annette(2021)

    Co-Producer

    Midcredits score: 60th percentile of all films

  • The Sunlit Night(2019)

    Producer

    Midcredits score: 45th percentile of all films

  • Cleo (not in the MovieCove catalog yet)(2019)

    Producer

  • Die Schule auf dem Zauberberg (not in the MovieCove catalog yet)(2019)

    Producer

  • Journal 64(2018)

    Co-Producer

    Midcredits score: 93rd percentile of all films

  • The Wild Pear Tree(2018)

    Producer

    Midcredits score: 98th percentile of all films

  • Mr. Stein Goes Online(2017)

    Producer

    Midcredits score: 50th percentile of all films

  • Personal Shopper(2016)

    Co-Producer

    Midcredits score: 53rd percentile of all films

  • Things to Come(2016)

    Co-Producer

    Midcredits score: 81st percentile of all films

  • Department Q: A Conspiracy of Faith(2016)

    Co-Producer

    Midcredits score: 85th percentile of all films

  • One, Two, Three (not in the MovieCove catalog yet)(2015)

    Producer

  • Cathedrals (not in the MovieCove catalog yet)(2014)

    Executive Producer · Producer

  • Futuro Beach(2014)

    Co-Producer

    Midcredits score: 59th percentile of all films

  • The Special Need(2013)

    Producer

    Midcredits score: 80th percentile of all films

  • Yozgat Blues(2013)

    Producer

    Midcredits score: 71st percentile of all films

  • Wagah (not in the MovieCove catalog yet)(2009)

    Producer

  • Judas & Jesus (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • The Tell-Tale Heart (not in the MovieCove catalog yet)(2006)

    Producer

  • SommerHundeSöhne (not in the MovieCove catalog yet)(2005)

    Producer's Assistant

  • Avalon (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 22 titles, 20 of them dated from 2005 to 2024.

Biggest box office

Department Q: A Conspiracy of Faith (2016)

$9.7M worldwide

Highest rated

The Wild Pear Tree (2018)

Midcredits 98th

Most popular right now

Annette (2021)

By role

only this rolewith another role
Producing22 of 22: 22 only producing, 0 with another role · typical Midcredits score59th

By decade

2000s4 · crew2010s10 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Fabian Gasmia's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 16

Approval · how many liked their films

66thpercentile
Typical film, the median of 16

Reach · how many have seen their films

80thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up7
  • 50th to 74th7
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

7 of their 16 titles are Mixed.

  • Universally Loved4
  • Crowd Pleaser5
  • Mixed7

Most divisive · producer

The Life of Wishes (2025)

89th percentile spread · 51% rated it 4 or lower

Most loved · producer

The Wild Pear Tree (2018)

Midcredits 98th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Fabian Gasmia's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles21–76 · median 55 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles21–71 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles48–69 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles20–51 · median 41 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Fabian Gasmia work with?

People who share at least 2 of Fabian Gasmia's MovieCove titles, grouped by what they did on them; Urte Amelie Fink shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles