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Karen Lewis

Producer

BAFTA Award winner

Works as
Producer
Titles
10 on MovieCove
TMDB popularity, last 64 days to Oct 27Down 16% in 30 days

What are Karen Lewis' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 1 · Heightened 0

Gentle 1 · Charged 3 · Intense 1

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 3 · Full focus 0

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Dread
4
Hopeful
4
Bittersweet
2
Other
6

How their films end · 2 with a twist

  • Bittersweet7
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karen Lewis' films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Karen Lewis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • The Guest(2025)

    Show Producer

    Midcredits score: 29th percentile of all shows
  • Men Up(2023)

    Producer

    Midcredits score: 74th percentile of all films
  • Nolly(2023)

    Show Producer

    Midcredits score: 57th percentile of all shows
  • The Salisbury Poisonings(2020)

    Show Producer

    Midcredits score: 62nd percentile of all shows
  • Midcredits score: 90th percentile of all films
  • The Last Witch(2013)

    Producer

    Midcredits score: 62nd percentile of all films
  • Exile(2011)

    Show Producer

    Midcredits score: 67th percentile of all shows
  • Unforgiven(2009)

    Show Producer

    Midcredits score: 82nd percentile of all shows
  • The Chatterley Affair(2006)

    Producer

    Midcredits score: 79th percentile of all films
  • Dad(2005)

    Producer

    Midcredits score: 79th percentile of all films (provisional, few ratings)

Career shape

Across their 10 MovieCove titles.

Awards

Won a BAFTA Award in 2013, Best Drama Series.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Karen Lewis' films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 5

Approval · how many liked their films

76thpercentile
Typical film, the median of 5

Reach · how many have seen their films

36thpercentile
Typical film, the median of 5

Midcredits score across 10 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Karen Lewis work with?

People who share at least 2 of Karen Lewis' MovieCove titles, grouped by what they did on them; Nicola Shindler shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers