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Andrea Lewis

Editor, producer and writer

Works as
Editor, producer and writer
Titles
9 on MovieCove · 12 credits in all

What are Andrea Lewis' films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Power and Society.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 0 · Heightened 0

Gentle 2 · Charged 3 · Intense 2

Steady 5 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 1

A split, not a type: Slow burn 5 · Even-paced 1 · Relentless 1

Casual 3 · Engaged 3 · Full focus 1

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
6
Tense
4
Warm
4
Cold
3
Melancholic
2
Other
3

How their films end

  • Happy1
  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Lewis' films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Andrea Lewis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 9 with a MovieCove page.

Career shape

A full career of 10 titles, 9 of them dated from 2011 to 2025.

By role

only this rolewith another role
Directing1 of 10: 1 only directing, 0 with another roleWriting1 of 10: 0 only writing, 1 with another roleProducing4 of 10: 1 only producing, 3 with another roleEditing8 of 10: 4 only editing, 4 with another role · typical Midcredits score75th

10 titles, 4 with more than one role — editing and producing overlap on 3 of them.

By decade

2010s5 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrea Lewis' films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 7

Approval · how many liked their films

74thpercentile
Typical film, the median of 7

Reach · how many have seen their films

56thpercentile
Typical film, the median of 7

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Reviewers score the pacing 66/100 in their films, across 4 reviewed titles; fans 71, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrea Lewis work with?

People who share at least 2 of Andrea Lewis' MovieCove titles, grouped by what they did on them; Matt Tyrnauer shares the most, 5.

Directors

Composers, cinematographers and editors

Producers