Michael Kamm
- Composer
- 9 on MovieCove · 13 credits in all
What are Michael Kamm's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 1 · Serious 2 · Dark 4
Grounded 6 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 5
Steady 2 · Shifting 4 · Whiplash 1
Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 0 · Even-paced 6 · Relentless 1
Casual 2 · Engaged 3 · Full focus 2
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 4
Resolved 4 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet1
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael Kamm's films?
As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Michael Kamm's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 9 with a MovieCove page.
Emil und die Detektive(2026)
Midcredits score: 88th percentile of all films
Mordlichter – Tod auf den Färöer Inseln (not in the MovieCove catalog yet)(2025)
Home Sweet Home - Where Evil Lives (not in the MovieCove catalog yet)(2024)
Funeral for a Dog (not in the MovieCove catalog yet)(2022)
Prey(2021)
Midcredits score: 3rd percentile of all films
Close to the Horizon(2019)
Midcredits score: 76th percentile of all films
Kidnapping Stella(2019)
Midcredits score: 9th percentile of all films
Rate Your Date(2019)
Midcredits score: 33rd percentile of all films
Whatever Happens (not in the MovieCove catalog yet)(2017)
Sleepless(2017)
Midcredits score: 23rd percentile of all films
Who Am I(2014)
Midcredits score: 93rd percentile of all films
The Silence(2010)
Midcredits score: 77th percentile of all films
Tatort(1970)
Midcredits score: 43rd percentile of all shows
Career shape
A full career of 12 titles from 1970 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Michael Kamm's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up4
- 25th to 49th2
- Below 25th3
Shape of the crowd
3 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser3
- Broadly Agreed3
- Mixed1
Reviewers score the sound and music 68/100 in their films, across 5 reviewed titles; fans 75, detractors 47. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Michael Kamm's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Michael Kamm work with?
People who share at least 2 of Michael Kamm's MovieCove titles, grouped by what they did on them; Robert Rzesacz shares the most, 4.
Directors
- David DietlShared titles: Emil und die Detektive (2026), Rate Your Date (2019)See all 2 shared titles with David Dietl
- Thomas SiebenShared titles: Prey (2021), Kidnapping Stella (2019)See all 2 shared titles with Thomas Sieben
- Baran bo OdarShared titles: Who Am I (2014), The Silence (2010)See all 2 shared titles with Baran bo Odar
Actors
- Yung NgoShared titles: Emil und die Detektive (2026), Prey (2021)See all 2 shared titles with Yung Ngo
- Stephan KampwirthShared titles: Close to the Horizon (2019), Who Am I (2014)See all 2 shared titles with Stephan Kampwirth
- Wotan Wilke MöhringShared titles: Who Am I (2014), The Silence (2010)See all 2 shared titles with Wotan Wilke Möhring
Cinematographers and editors
- Robert RzesaczShared titles: Prey (2021), Kidnapping Stella (2019), Who Am I (2014), The Silence (2010)See all 4 shared titles with Robert Rzesacz
- Stefan EsslShared titles: Emil und die Detektive (2026), Rate Your Date (2019)See all 2 shared titles with Stefan Essl
- Nikolaus SummererShared titles: Who Am I (2014), The Silence (2010)See all 2 shared titles with Nikolaus Summerer
Producers
- Stefan GärtnerShared titles: Close to the Horizon (2019), Kidnapping Stella (2019), Rate Your Date (2019), Who Am I (2014)See all 4 shared titles with Stefan Gärtner
- Verena SchillingShared titles: Close to the Horizon (2019), Kidnapping Stella (2019)See all 2 shared titles with Verena Schilling
Mixed roles
- Jantje FrieseShared titles: Who Am I (2014), The Silence (2010)See all 2 shared titles with Jantje Friese
