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Matthew Peterman

Matthew Peterman

Producer and writer

​From Wikipedia, the free encyclopedia.   Matthew Peterman is an American screenwriter and film producer. He was born in Lexington, Kentucky. In 2000, along with writing partner William Brent Bell, Peterman wrote screenplay Mercury, which was bought by Universal Studios with Gale Anne Hurd and f/x studio Digital Domain producing.[1] Since then, the duo have set up several film projects at studios including Warner Bros. and Walt Disney as well as television projects at Sony, the WB and ABC. Peterman's most recent project is as co-writer and producer of the horror thriller, Stay Alive. Stay Alive was acquired and distributed domestically by Buena Vista Pictures and internationally by Universal Pictures. Description above from the Wikipedia article Matthew Peterman licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Producer and writer
Titles
3 on MovieCove · 4 credits in all
TMDB popularity, last 39 days to Oct 28Down 21% in 30 days

What are Matthew Peterman's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
39%
Bonds
18%
Morality
18%
Society
18%
Power
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 0 · Even-paced 1 · Relentless 2

Casual 0 · Engaged 2 · Full focus 1

A split, not a type: Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
3
Cold
1
Thrilling
1
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matthew Peterman's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Paramount+ (1).

Subscription and free streaming for Matthew Peterman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page.

  • Wer(2013)

    Producer · Screenplay

    Midcredits score: 40th percentile of all films
  • The Devil Inside(2012)

    Producer · Writer

    Midcredits score: 4th percentile of all films
  • Stay Alive(2006)

    Producer · Writer

    Midcredits score: 20th percentile of all films
  • The Vatican (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 4 titles, 3 of them dated from 2006 to 2013.

By role

only this rolewith another role
Writing3 of 4: 0 only writing, 3 with another roleProducing4 of 4: 1 only producing, 3 with another role

4 titles, 3 with more than one role — producing and writing overlap on 3 of them.

By decade

2000s1 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Matthew Peterman's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 20th percentile for acclaim.

Acclaim · how much people like their films

20thpercentile
Typical film, the median of 3

Approval · how many liked their films

24thpercentile
Typical film, the median of 3

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Reviewers score the dialogue 38/100 and the plot and story 35/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Matthew Peterman's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Matthew Peterman work with?

People who share at least 2 of Matthew Peterman's MovieCove titles, grouped by what they did on them; William Brent Bell shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers