Tomohiko Tsuji
- Cinematographer
- 4 on MovieCove · 28 credits in all
What are Tomohiko Tsuji's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 0 · Dark 4
Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 0 · Intense 4
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 0 · Heavy 4
Resolved 2 · Open-ended 2 · Ambiguous 0
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tomohiko Tsuji's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (1).
Subscription and free streaming for Tomohiko Tsuji's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 4 with a MovieCove page.
Hokusai's Daughter (not in the MovieCove catalog yet)(2025)
PALM (not in the MovieCove catalog yet)(2025)
Name of The Cat (not in the MovieCove catalog yet)(2024)
Kanzen Muzai (not in the MovieCove catalog yet)(2024)
The Women in the Lakes (not in the MovieCove catalog yet)(2024)
Goodbye Hoyaman (not in the MovieCove catalog yet)(2023)
Alone Again in Fukushima (not in the MovieCove catalog yet)(2023)
Goodbye Cruel World (not in the MovieCove catalog yet)(2022)
Intimate Stranger (not in the MovieCove catalog yet)(2022)
Ashita o he guru (not in the MovieCove catalog yet)(2021)
Mother(2020)
Midcredits score: 79th percentile of all films
Woman Holding Perspective (not in the MovieCove catalog yet)(2020)
A Town and a Tall Chimney (not in the MovieCove catalog yet)(2019)
Dare to Stop Us (not in the MovieCove catalog yet)(2018)
Somebody's Xylophone (not in the MovieCove catalog yet)(2016)
Yasukuni, Chirei, Tennō (not in the MovieCove catalog yet)(2014)
The Millennial Rapture (not in the MovieCove catalog yet)(2012)
11.25 The Day He Chose His Own Fate (not in the MovieCove catalog yet)(2012)
Petrel Hotel Blue (not in the MovieCove catalog yet)(2012)
Where Has Misawa Chiren Gone? (not in the MovieCove catalog yet)(2011)
Lost Paradise in Tokyo (not in the MovieCove catalog yet)(2010)
Caterpillar(2010)
Midcredits score: 67th percentile of all films
United Red Army(2007)
Midcredits score: 79th percentile of all films
9.11-8.15 Nippon Suicide Pact (not in the MovieCove catalog yet)(2006)
Cycling Chronicles: Landscapes the Boy Saw (not in the MovieCove catalog yet)(2004)
Midcredits score: 15th percentile of all films
The Heart of Japan: Ichirō Hariu, the Man Who Embraced the Whole of Japan (not in the MovieCove catalog yet)(2002)
Tokyo Elegy (not in the MovieCove catalog yet)(1999)
Career shape
A full career of 28 titles from 1999 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Tomohiko Tsuji's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- Below 25th1
Shape of the crowd
3 of their 4 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Reviewers score the cinematography 54/100 in their films, across 3 reviewed titles; fans 58, detractors 35. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tomohiko Tsuji work with?
People who share at least 2 of Tomohiko Tsuji's MovieCove titles, grouped by what they did on them; Kōji Wakamatsu shares the most, 3.
Directors
- Kōji WakamatsuShared titles: Caterpillar (2010), United Red Army (2007), Perfect Education 6: Red Murder (2004)See all 3 shared titles with Kōji Wakamatsu
Writers
- Masao AdachiShared titles: Caterpillar (2010), Perfect Education 6: Red Murder (2004)See all 2 shared titles with Masao Adachi
Actors
- Arata IuraShared titles: Caterpillar (2010), United Red Army (2007)See all 2 shared titles with Arata Iura
- Gô JibikiShared titles: Caterpillar (2010), United Red Army (2007)See all 2 shared titles with Gô Jibiki
- Keigo KasuyaShared titles: Caterpillar (2010), United Red Army (2007)See all 2 shared titles with Keigo Kasuya
Cinematographers and editors
- Shūichi KakesuShared titles: Caterpillar (2010), Perfect Education 6: Red Murder (2004)See all 2 shared titles with Shūichi Kakesu
- Yoshihisa TodaShared titles: Caterpillar (2010), United Red Army (2007)See all 2 shared titles with Yoshihisa Toda
Producers
- Noriko OzakiShared titles: Caterpillar (2010), United Red Army (2007)See all 2 shared titles with Noriko Ozaki