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Ari Sandel

Ari Sandel

Director · Born September 5, 1974 (52) · Calabasas, California, USA

Born
September 5, 1974 (52)
From
Calabasas, California, USA
Works as
Director
Titles
5 on MovieCove · 10 credits in all

What are Ari Sandel's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 3 · Stylized 1 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 4

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
2
Thrilling
2
Contemplative
3
Warm
2
Absurd
2
Other
4

How their films end

  • Happy2
  • Bittersweet1
  • Ambiguous1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ari Sandel's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Subscription and free streaming for Ari Sandel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Midcredits score: 23rd percentile of all films
  • When We First Met(2018)

    Director

    Midcredits score: 52nd percentile of all films
  • The DUFF(2015)

    Director

    Midcredits score: 55th percentile of all films
  • Kadaffi Goes Hollywood (not in the MovieCove catalog yet)(2011)

    Director · Writer

  • Aim High(2011)

    Show Director

    Midcredits score: 78th percentile of all shows
  • Midcredits score: 44th percentile of all films
  • West Bank Story (not in the MovieCove catalog yet)(2005)

    Director · Writer

  • A Murder Uncorked (not in the MovieCove catalog yet)

    Director

  • Clashing Through the Snow (not in the MovieCove catalog yet)

    Executive Producer

  • Untiled Nick Jonas/Ari Sandel Romcom (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 9 titles, 6 of them dated from 2005 to 2018.

By role

only this rolewith another role
Directing8 of 9: 6 only directing, 2 with another roleWriting2 of 9: 0 only writing, 2 with another roleProducing1 of 9: 1 only producing, 0 with another role

By decade

2000s2 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ari Sandel's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 4

Approval · how many liked their films

53rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

97thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 58/100 and the pacing 51/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ari Sandel's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 30 · mildMedian of all films: 44
Sex & Nudity3 titlesmedian 35 · mildMedian of all films: 32
Profanity3 titlesmedian 56 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 28 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 8 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ari Sandel work with?

People who share at least 2 of Ari Sandel's MovieCove titles, grouped by what they did on them; Mary Viola shares the most, 3.

Actors

Composers and cinematographers

Producers