Gian-Piero Ringel

What are Gian-Piero Ringel's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gian-Piero Ringel's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.

• AMC+2 titles, browse their movies on this service
  • Pina (2011) · producer
  • Every Thing Will Be Fine (2015) · producer
• Pluto TV1 title, browse their movies on this service
  • Only Lovers Left Alive (2013) · producer · free
• The Criterion Channel1 title, browse their movies on this service
  • Palermo Shooting (2008) · producer

Subscription and free streaming for Gian-Piero Ringel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Call Me Queen(2026)

  Executive Producer

  Midcredits score: 81st percentile of all films (provisional, few ratings)~81^st
• 

  The Beautiful Days of Aranjuez(2016)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Pyromaniac (not in the MovieCove catalog yet)(2016)

  Co-Producer
• 

  Every Thing Will Be Fine(2015)

  Producer

  Midcredits score: 20th percentile of all films20^th
• 

  Only Lovers Left Alive(2013)

  Co-Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Lupu(2013)

  Co-Producer

  Midcredits score: 14th percentile of all films14^th
• 

  Pina(2011)

  Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Orly (not in the MovieCove catalog yet)(2010)

  Producer
• 

  Palermo Shooting(2008)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Afternoon (not in the MovieCove catalog yet)(2007)

  Executive Producer
• Ketchup Connection (not in the MovieCove catalog yet)(2005)

  Producer

Career shape

A full career of 11 titles from 2005 to 2026.

Biggest box office

Pina (2011)

$19M worldwide

Highest rated

Pina (2011)

Midcredits 95^th

Most popular right now

Every Thing Will Be Fine (2015)

How do Gian-Piero Ringel's films land?

Their typical MovieCove film has a Midcredits score in the 49^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 44^th percentile for acclaim.

Shape of the crowd

4 of their 7 titles are Mixed.

124

• Universally Loved1
• Crowd Pleaser2
• Mixed4

Most divisive · producer

Lupu (2013)

81^st percentile spread · 39% rated it 4 or lower

Most loved · producer

Pina (2011)

Midcredits 95^th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gian-Piero Ringel work with?

People who share at least 2 of Gian-Piero Ringel's MovieCove titles, grouped by what they did on them; Wim Wenders shares the most, 4.