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Stephanie Paris

Stephanie Paris

Actor, director and producer

Stephanie Paris is a Los Angeles based Director and Producer. Since beginning her career working as a camera assistant on low budget horror films, she quickly worked her way up to directing and producing narrative feature films, short films and documentary projects . In addition to Directing and producing her first narrative feature, "Portraits", Stephanie also co-produced the feature-length documentary film "That Guy Dick Miller", which had it's world premiere at SXSW 2014. She also produced "Easter," a segment in the anthology feature, "Holidays," that premiered at TIFF 2016. Stephanie's love for the horror genre has also resulted in shooting numerous DVD/Blu-ray bonus features for such diverse filmmakers as David Cronenberg, Jack Hill, Kinji Fukasaku, Pete Walker, Ted V. Mikels, John Carpenter, Joe Dante, Roger Corman and many more. She also continues to produce television and web commercials and promos for clients such as Google, Sony, Disney, Fox, Redbull, Netflix, Zagat, & HGTV.

Read more

Biography from TMDB.

Works as
Actor, director and producer
Titles
8 on MovieCove · 19 credits in all

What are Stephanie Paris' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 1 · Stylized 2 · Heightened 1

A split, not a type: Gentle 1 · Charged 1 · Intense 2

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 1 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
3
Tense
2
Joyful
2
Melancholic
2
Warm
1
Other
2

How their films end

  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephanie Paris' films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Stephanie Paris' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 8 with a MovieCove page.

  • Portraits (not in the MovieCove catalog yet)(2024)

    Director · Producer · Writer

  • Speak with the Dead (not in the MovieCove catalog yet)(2024)

    Director · Screenplay

  • House of Ashes(2024)

    Producer

    Midcredits score: 33rd percentile of all films
  • The Booker (not in the MovieCove catalog yet)(2023)

    Director

  • Antiques (not in the MovieCove catalog yet)(2023)

    Director · Writer

  • Midcredits score: 1st percentile of all shows (provisional, few ratings)
  • Cabaret of the Dead(2017)

    as Dolly Danger

    Midcredits score: 38th percentile of all films
  • Holidays(2016)

    Line Producer · Producer

    Midcredits score: 12th percentile of all films
  • Criminal (not in the MovieCove catalog yet)(2014)

    Wardrobe Coordinator

  • That Guy Dick Miller(2014)

    Co-Producer

    Midcredits score: 89th percentile of all films
  • The Ephemerol Diaries: An Interview with Stephen Lack (not in the MovieCove catalog yet)(2012)

    Cinematographer · Sound

  • Different From the Others: A Legacy Preserved (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Burlesque Massacre (not in the MovieCove catalog yet)(2011)

    as Dolly

  • Cornered!(2008)

    as Female Victim

    Midcredits score: 7th percentile of all films
  • The Sex Spirit (not in the MovieCove catalog yet)(2009)

    Costume Design

  • Slutty, Busty & Bad (not in the MovieCove catalog yet)(2009)

    Costume Design

  • Hummingbird Lane(2008)

    as Brianna

  • Death Valley: The Revenge of Bloody Bill(2004)

    as Girl Zombie in Bar (uncredited)

    Midcredits score: 2nd percentile of all films
  • Portraits (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 17 titles, 16 of them dated from 2004 to 2024.

Film career

By role

only this rolewith another role
Acting5 of 17: 5 only acting, 0 with another roleDirecting5 of 17: 2 only directing, 3 with another roleWriting3 of 17: 0 only writing, 3 with another roleProducing3 of 17: 2 only producing, 1 with another roleCinematography2 of 17: 1 only cinematography, 1 with another roleOther crew4 of 17: 3 only other crew, 1 with another role

17 titles, 4 with more than one role.

By decade

2000s5 · 3 acting · 2 crew2010s7 · 2 acting · 5 crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Stephanie Paris' films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of the 6 of 7 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 3

Approval · how many liked their films

35thpercentile
Typical film, the median of 3

Reach · how many have seen their films

69thpercentile
Typical film, the median of 3

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

3 of their 7 titles are Mixed.

  • Universally Panned1
  • Loved with Detractors1
  • Divisive1
  • Crowd Pleaser1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Stephanie Paris work with?

People who share at least 2 of Stephanie Paris' MovieCove titles; Matthew Kiernan shares the most, 2.